FURTHER AFIELD
Birds on a Wire, the duo of Rosemary Standley and Dom La Nena, reimagines timeless songs with intimacy and lightness. Moving from Pink Floyd to Boby Lapointe and from American classics to traditional songs from around the world, their third album Nuées Ardentes returns to the core of their encounter: voice and cello. Their arrangements are at once refined and raw, spare yet rich, blending erudition and tenderness to blur borders and reveal new emotional textures.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
Directed by Gabriel Álvarez, Le Repas revives two flagship pieces from his company’s repertoire for the 40th anniversary of Studio d’Action Théâtrale and pays homage to playwright Valère Novarina. A cosmogonic feast staged with the audience at table, the performance devours the world through ritual, poetry and corporeal presence. It examines human voracity, collective memory and the fate of what we ingest, offering a sensorial, intimate and occasionally brutal theatrical journey.
In French.
Based on sketches by Devos, Ribes, Sylvie Joly, Palmade and Martinez, this theatrical revue sketches the comic microcosm of apartment life. Short scenes expose domestic tensions — marital rows, overwhelmed parents, an unpredictable grandmother and holiday disasters — with sharp observational wit and precise farcical timing. The ensemble slips into vivid characters, combining spoken comedy and physical nuance to reveal tenderness beneath the chaos, offering a warm, incisive portrait of neighbours and family.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
With an authentic, melancholic yet luminous voice, Dinaa transforms personal stories into songs. As singer-songwriter and composer she spent two years on the road alone with her guitar, giving more than a hundred concerts and sharing stages with renowned artists. Her debut album, Maison Vide, blends pop-rock, blues-soul and hip-hop–infused lyricism to map a raw emotional territory, singing of love, fractures and inner struggles with sincerity and restrained power.
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