Based on a true story of a man who lived thirty years alone in the forest, this poetic, metaphysical investigation probes the mystery of existence and what holds us together—or drives us apart. The piece uses silence and space to turn absence into thought, alternating contemplative moments with intense emotional presence to immerse the audience in a quietly unsettling, deeply human experience.
In French.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
Led by Corina Belcea and featuring Suyeon Kang (violin), Krzysztof Chorzelski (viola) and Antoine Lederlin (cello), the Belcea Quartet presents a programme of Beethoven string quartets. The evening juxtaposes early classical poise with late-period introspection, from the radiant op. 18 No. 2 through the contemplative op. 135 to the profound op. 131. The ensemble’s refined phrasing, dynamic interplay and concentrated sonority reveal fresh contrasts and intimate architecture in these masterpieces.
Fatoumata Diawara blends traditional Malian Wassoulou music with contemporary electronic and pop textures on her new album Massa. Her intense voice and hypnotic energy carry songs that explore origins, national history and personal memory, addressing themes of family, motherhood and resilience while advocating for women’s rights and peace. The single Djanne fuses ancestral rhythms with modern production, and Diawara’s performance invites a vibrant, danceable journey that celebrates identity and remembrance.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
Created by Manon Bril and Etienne Lautrette and directed by Théo Comby Lemaitre, this hybrid lecture-performance blends scholarly rigour with theatrical wit. Historian Manon Bril guides the audience through surprising episodes of human history, overturning assumptions with a sharp, offbeat humour and playful staging. The show mixes clear popular-science explanation, theatrical images and comic timing to reveal that nothing has “always been like this”.
In French.
Please adjust your criteria to see more results.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
Culture, curated weekly.
Event removed from your CoolAgenda.
