German baritone Benjamin Appl presents a programme themed around water and travel with cellist Lionel Cottet and pianist Jorge Viladoms. In three parts he traces a traveller’s trajectory—departure, nocturnal crossing and the solitude that leads to calm—through songs from the German, French and South American repertoire. The recital features works by Schumann, Brahms, Strauss, Mendelssohn, Schubert, Fauré and Villa-Lobos, emphasising narrative singing and chamber intimacy.
Prima Facie, by Suzie Miller, stages a tense courtroom drama centred on Tessa, a brilliant defence lawyer whose life is upended after she becomes the victim of an assault. Directed by Elidan Arzoni and performed by Anna Budde, the production weaves urgent questions about justice, credibility and power. Danielle Milovic’s lighting and the French translation by Dominique Hollier and Séverine Magois shape a stark, intimate staging. Produced by Les Amis – Le Chariot for Scène Vagabonde Festival.
In French.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
Choreographed by María del Mar Suárez (La Chachi), this hybrid flamenco pieces tradition and punk sensibility into a raw, personal language. On stage two musicians and a singer shape a live soundscape that frames La Chachi’s emergence: a dim light reveals her silhouette as she advances and begins an ascension. Her motions coil and break in looping cycles as the music intensifies. Visceral and hypnotic, the performance immerses spectators in concentrated rhythms and fierce corporeal poetry.
Cinzia Cattaneo presents a residency of sharp, observational stand-up with new material and a rotating guest comedian every two weeks. Her candid delivery and precise timing create intimate, laugh-filled situations that probe everyday absurdities and personal anecdotes. The performances combine scripted bits and spontaneous exchanges with the audience, offering a direct, charismatic stage presence and an evolving set that highlights both solo work and collaborative comic interplay.
In French.
An introspective monologue for multiple voices, La Table d’Amour is a poetic theatrical immersion inspired by a Tinos island tradition. Performed by Manon Krüttli and Jeanne De Mont, the piece follows Manon Krüttli’s journey between autobiography, fiction and dreamlike reverie. It probes questions of living together, reconciliation and the role of conviviality as an artistic gesture, creating an intimate, sensory staging that favors lyricism and shared presence.
In French.
FURTHER AFIELD
Olivier Debelhoir makes his first in-theatre creation with La vie de ma mère, a circus-theatre piece led by Compagnie d’un Ours. As performer and director, Debelhoir and his collaborators probe language, vertigo and the mechanics of wonder, combining intimate clowning, accordion music and surreal apparitions. Staged encounters — including a knight figure and a momentary levitation forty-seven centimetres above the ground — build a tense, poetic atmosphere that oscillates between humour and uncanny lyricism.
In French.
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