Ben Mazué presents an intimate, poetic evening around his album Famille. As author, composer and performer, he blends chanson, spoken word and pop to weave candid narratives and delicate melodies. The performance focuses on family, memory and emotional honesty, delivered with intimate staging and warm vocal interplay. The production by Opus One highlights subtle arrangements that foreground Mazué’s lyrics and storytelling.
In French.
Amour(s) is a production by Compagnie lesArts that delves into the various dimensions of love through testimonies, stories, and writings. Directed by Tony Romaniello, this collaborative creation combines documentary theater with performances by Laurent Baier, Christian Baumann, and Stella Giuliani. The set design is by Célia Zanghi, with lighting design and management by Yannis Marti.
In French.
Les P’tits Fils de Jeanine are a playful, irreverent multi-instrumental ensemble delivering a festive blend of balalaika, accordion, brass colours and theatrical improvisation. Their concert moves between raucous, danceable numbers and quieter, intimate passages, combining humorous staging with virtuoso musicianship. Celebrating their fifteenth anniversary, the group creates a warm, slightly mischievous atmosphere where folk timbres and brass textures collide, inviting the audience into an exuberant, theatrical sonic world.
In French.
Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.
In French.
Led by pianist-composer Andrew Audiger, this new trio with guitarist Théo Duboule and drummer Valentin Liechti blends acoustic and electric textures across jazz, folk and soft rock. Audiger’s fluid piano and synth lines weave with Duboule’s guitar and Liechti’s nuanced rhythms to create a suspended, nostalgic atmosphere. The programme highlights his boundary-free approach and compositional subtlety, balancing open improvisation with melodic clarity and intimate sonic detail that lingers after each passage.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
Alto saxophonist Maurice Magnoni presents iNiT, a 60-minute solo improvisation that traces an intimate study of intuition and sound. Drawing from years of spontaneous practice, Magnoni sculpts raw fragments into evolving textures, balancing controlled motifs with moments of chaotic release. Sparse silence and dense multiphonics create a shifting acoustic landscape, while attentive micro-phrasing and dynamic shading invite close listening. The piece foregrounds process over form, offering a concentrated, immersive musical journey.
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