12 March – 16 May

Architecture of Memories

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Rue des Vieux-Grenadiers 2,
1205 Geneva

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28 January – 15 March

Almost Tender

Art & Exhibits

Ferme de la Chapelle

Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.

Array

6 November 2025 – 15 April 2026

Caravaggesque Paintings in Holland in the 17th Century

Art & Exhibits

Galerie Salomon Lilian

The exhibition delves into the realism, drama, and emotional intensity of 17th-century Dutch artists influenced by Caravaggio. The works of Gerrit van Honthorst and Judith Leyster exemplify the bold use of light and shadow to capture everyday life with theatrical intensity. Their contributions left a significant impact on the art of the era, paving the way for new expressions of the human condition.

Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.

Array

20 February – 29 November

Simultanés

Art & Exhibits

Musée Ariana

Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.

Array

18 February – 23 December

Nature never deceives us: Jean-Jacques Rousseau herbarium

Art & Exhibits

Jardin botanique

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

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Wednesday 11 March, 18:00

Opening: Salvatore Emblema – May 1972

Art & Exhibits

SOMA

May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.

Array

5 March – 10 April

Jean-Philippe Kalonji — Inside Out

Art & Exhibits

Galerie Renaissance

Swiss artist Jean-Philippe Kalonji presents a sensitive series of portrait drawings that probe identity, memory and human presence. Working mainly with graphite and water-based media, he renders subtle gestures and gazes that bridge inner life and outward expression. The works range from intimate, near-figurative studies to more spare, contemplative surfaces, employing contemporary drawing techniques to question how portraiture reveals emotion and history. The exhibition invites deliberate, close looking at the human figure.

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Architecture of Memories