Amobea + Mucho presents a vibrant programme of popular urban music rooted in alternative culture. The association curates a varied musical journey from rap and shatta to trap, Jersey club, R&B, reggaeton, dembow, afrobeat and amapiano, prioritizing inclusive spaces and affordable access for young audiences. The evening blends high-energy DJ sets and live performances with a community-driven ethos. Presented in collaboration with Planète Rouge.
Caustic Comedy Night gathers four stand-up comedians from Switzerland, France and Belgium in a tight, high-energy evening of observational and satirical humour. The show alternates rising talents and seasoned performers, combining sharp social commentary, playful anecdotes and improvised exchanges. Minimal staging keeps the focus on timing and delivery, creating an intimate atmosphere where rhythm and punchlines drive the experience. The programme favours quick, varied sets that sustain momentum and surprise.
In French.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
REQUIEM POUR DU POGNON is a musical comedy that unfolds as a blackly comic inheritance farce. After the death of wealthy entrepreneur Marcel, a large, fractious family gathers to read the will: a humiliated widow, a lovesick secretary, an avaricious mistress, a dull son, neurotic daughters and grasping cousins. Songs, ensemble numbers and moments of karaoke expose secrets, rivalries and petty betrayals, shifting between biting satire and tender absurdity while the stage pulses with chaotic, carnival-like energy.
In French.
Led by Thierry Courlet (voice, piano, compositions), Le Thierryble revisits 1960s–70s rock with French-language lyrics that blend bittersweet poetry and wry paranoia. Electric guitars give way to cello and delicate arrangements by Vartan Baonian, while Maëllie’s vocal textures and percussion colour the sound. Influences such as Pink Floyd, the Beatles and Genesis surface without pastiche, creating melancholic, cinematic moments. Presented within the Musique à Pont-Rouge programme in collaboration with FA-MI, the set feels intimate and reflective.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Directed by Oscar Gómez Mata and Bastien Semenzato, this staging brings together 16 young performers from La Manufacture’s promotion O to tackle Hamlet in its entirety. Combining tragic force with mordant, absurd humour, the piece explores how the past splashes into the present and how institutions unravel. Using the jeu bouffon — masks, exaggeration and the subversion of power — the ensemble shifts between farce, violent outbursts and intimate doubt as the prince teeters between thought and action.
In French.
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