26 – 27 September

AFRO B4 – Open Deck Session

Hosted by Sulman, AFRO B4 – Open Deck Session gathers a line-up of DJs exploring Afro-rooted club rhythms. Performers include DJ Bendo, Sulman, Veah, DJ Raya Queen and Manu DJ Freshboy, moving between Afro, shatta, dancehall, bouyon and amapiano textures. The evening privileges DJ-driven discovery, dynamic transitions and physical bass, with tight mixes and imagined lightscapes amplifying dancefloor energy. The result is an immersive, rhythm-centred journey that foregrounds groove and communal release.

Rue de la Truite 4,
1205 Genève
Photo Credit: DR
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Photo Credit: DR

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For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.

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24 September – 7 October

Directed and performed by Eve Aouizerate, Amours subversives stages a wry, intimate interrogation of gender and desire. With performers Mathilde Lyon and Dylan Poletti, the piece pivots on a provocative premise — a young woman’s decision to abandon a nascent career for the tradwife ideal — and unfolds as a personal theatrical essay on power, intimacy and the contradictions of femininity in 2026. Sparse staging and candid narration create a fierce, tender atmosphere.

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25 – 26 September

CrabCore Fest is a Swiss rock and metal festival championing the local scene. Across two days it gathers a diverse lineup of bands from Switzerland and neighbouring France, spanning heavy riffs, melodic metal and experimental rock. Emphasis is on community-driven programming, energetic live performances and a grassroots atmosphere where emerging artists share the bill with seasoned acts. Stalls and food options accompany the stages, creating a convivial frame for loud, visceral music.

22 September – 4 October

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

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15 September – 11 October

A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.

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25 – 26 September

Myriam Baroukh dismantles the checklist of modern life — exams, steady jobs, marriage, children, mortgages — to ask what remains once the boxes are ticked. With sharp, intimate stand-up, she navigates happiness, antidepressants, a difficult birth, artificial intelligence, urban wildlife and the strain of care and exile. Her voice mixes wry observation and emotional honesty, turning personal setbacks into wry, human comedy. Her rapid-fire anecdotes and unexpected images keep the audience off-balance, exploring empathy and absurdity.

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