Sunday 6 December, 17:00

Across the Atlantic: A Romantic Dialogue

Booking Required

Presented by ClassiCosy, this chamber programme pairs Bruch’s Octet in G major, Op.83, with Dvořák’s String Quartet No.12 “American”, Op.96. Performed by Quatuor Magenta—Pierre Fouchenneret, Boris Blanco, Marie‑Barbara Berlaud and Sarah Fouchenneret—the programme traces a transatlantic dialogue: late German Romantic richness, shimmering textures and refined virtuosity answering Dvořák’s folkloric rhythms, clear harmonies and vibrant colours. Intimate yet expansive, the performance moves from dense lyrical reverie to buoyant rhythmic vitality, inviting listeners into a nuanced conversation between European romanticism and the spirit of the New World.

Rue Jean-François-Bartholoni 6,
Switzerland

Photo Credit: avalanche studio

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Photo Credit: avalanche studio

22 September – 4 October

Dire adieu

Performances

Théâtre le Galpon

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

In French.

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22 – 23 September

Musiques interdites

Performances

La Cité Bleue

Musiques Interdites recreates the charged atmosphere of a Weimar-era cabaret where humour, poetry and music become acts of resistance. Hosted by Lucile Richardot and Éléonore Pancrazi, the evening revives works banned under Nazi rule—jazz, pieces by Jewish and politically persecuted composers—and blends songs, instrumental numbers and recomposed arrangements. The production foregrounds the subversive power of art, evoking both the creative freedom pursued by artists and the fear and repression that sought to silence them.

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22 September – 29 November

La Demande en mariage et l’ours

Performances

Théâtre de Carouge

Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.

In French.

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15 – 27 September

D’amour et d’eau fraîche

Performances

Théâtre du Loup

Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.

In French.

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15 September – 11 October

Oncle Vania

Performances

Théâtre des Amis

Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.

In French.

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22 October – 26 January

Cinzia Cattaneo & Guest

Performances

Caustic Comedy Club

Cinzia Cattaneo presents a residency of sharp, observational stand-up with new material and a rotating guest comedian every two weeks. Her candid delivery and precise timing create intimate, laugh-filled situations that probe everyday absurdities and personal anecdotes. The performances combine scripted bits and spontaneous exchanges with the audience, offering a direct, charismatic stage presence and an evolving set that highlights both solo work and collaborative comic interplay.

In French.

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Across the Atlantic: A Romantic Dialogue