Housed in a 1960s building near the Geneva train station, the Théâtre Saint-Gervais is a vibrant hub for presentation of live arts, including text, performance, and multidisciplinary works. It prioritizes an immersive connection with the audience, shaping its stage and programming to foster intense engagement. The diverse lineup of around thirty performances includes established and emerging artists, showcasing a mix of creations, revivals, and international collaborations.
“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.
In French.
The play “Coloscopie d’un supermarché” by Marie van Berchem and Vanessa Ferreira Vicente, showcased at Maison Saint-Gervais, follows Melissa as she navigates the Micop supermarket, where she finds meat eerily resembling human bodies. Blending documentary with satire, the fiction critiques overproduction, the absurdity of capitalism, and manipulative sales tactics, delving into the pitfalls of a consumer-driven society.
In French.
“Bowling Club Fantasy” by Julie Bugnard and Isumi Grichting at Maison Saint-Gervais takes you into a bowling club setting where a meeting between a music industry mogul and an artist unfolds in unexpected ways. The regulars’ conversations, film dialogues on the TV, and bar sounds spark parallel narratives, creating a tapestry of everyday life. The creators, inspired by American objective poetry, independent cinema, and lo-fi music, delve into the coexistence of different worlds.
In French.
“Submersion Games” by Bryan Campbell at Maison Saint-Gervais is a performance drawing inspiration from the novel Moby Dick. It intertwines themes of eroticism, ecocide violence, and sado-masochistic rituals, delving into the desires and sufferings present in our relationships with work, sexuality, and the natural world. The piece immerses the audience in a maritime experience.
“Chaos Ballad” by Samir Kennedy at Maison Saint-Gervais immerses the audience in an intense performance blending concert, wild cabaret, and prophetic nightmare. With elaborate makeup and costumes, Kennedy embodies a melancholic, decadent clown, navigating between majesty and vulnerability. The performance features a defiant dance symbolizing the struggle against terror, absurdity, and the monotony of the world, creating a captivating and apocalyptic atmosphere.
“Tabou” by Jean-Daniel Piguet delves into the journey of a son and his mother through South America, tracing the footsteps of the grandfather, a former cacao plantation worker. Their quest to overcome family trauma unveils the violent legacy left behind. Within the confines of their hotel room, an ambiguous relationship and a hallucinatory narrative unfold. The film transforms into a psycho-magical tale, filled with intriguing characters and fantastical apparitions, intertwining personal stories, collective consciousness, and the colonial past of South America.
In French.
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