“Submersion Games” by Bryan Campbell at Maison Saint-Gervais is a performance drawing inspiration from the novel Moby Dick. It intertwines themes of eroticism, ecocide violence, and sado-masochistic rituals, delving into the desires and sufferings present in our relationships with work, sexuality, and the natural world. The piece immerses the audience in a maritime experience.
As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.
In French.
Adapted by Cie Le Magnifique Théâtre from Alessandro Baricco’s novella, Novecento is a maritime fable directed by Julien Schmutz. Actor Michel Lavoie embodies the narrator while pianist-composer Max Jendly conjures nightly jazz waves that shape the piece’s soundworld. The staging transforms stage into ship, where music becomes horizon and memory, blending poetic storytelling and live piano improvisation. The production favours a dreamlike, suspended atmosphere that explores solitude, belonging and the liberating force of music.
In French.
A man performs on stage, sharing a personal reflection alongside his family, friends, therapist, colleagues, and ex-partners. In seven acts, he delves into pivotal anecdotes to question gender imperatives from childhood to adulthood. The play, “Le Premier Sexe,” addresses the journey from oppression to emancipation and the shift from toxic masculinity to a distinctive masculine identity. Produced by Compagnie Passages, with Mickaël Délis responsible for both writing and directing, in collaboration with Vladimir Perrin and other artists.
In French.
Emma Saba and Jeanne Pâris revive the lyric repertoire in a subversive, celebratory performance. Playing with time and inheritance, Saba reworks early arias into electric fragments, laughter and amplified sighs. The piece interrogates the politics of the voice as opera sheds its white pageant to become raw material, desire, anger and tenderness. Part performance, part concert, Jalousie des tempêtes stages a ritual of dismantling and rejoicing, where vocal technique meets bodily intensity and theatrical invention.
Performed by Ensemble Sinfonietta Bern, this concert journeys into the enchanting universe of Hayao Miyazaki through orchestral arrangements of the most magical melodies from his films, alongside new works inspired by his vision. Lush cinematic textures, delicate solos and shimmering harmonies evoke nostalgia and wonder, while subtle dynamics and refined ensemble playing create intimate, immersive soundscapes that shift between lyricism and drama, transporting listeners into storybook landscapes.
“Cleopatra at Am Stram Gram” is a must-see show for audiences of all ages. Directed by Dan Jemmett and penned by Rémi De Vos, this production offers a fresh take on the Cleopatra myth, uncovering lesser-known facets of this historical icon. With an all-female cast, the play delves into her alliances, romantic entanglements, and her prowess in languages, mathematics, and philosophy, set against a backdrop of a male-dominated world. It’s a theatrical experience not to be missed!
In French.
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