Sunday 29 November, 20:30

Anouk Kellner + Ed Williams + Alexis Degrenier

Part of the third Akouphène Festival, this concert brings together three distinct sound explorations. Anouk Kellner presents “Airchoir No1” on modular organ, shaping an encounter with the instrument’s shifting textures. Ed Williams reimagines the clavichord in “Decomposed clavichord,” while Alexis Degrenier’s “Anatomie de la mélancolie” combines percussion, voice, small electronic devices and electric fireflies. Across these contrasting proposals, acoustic timbres and delicate electrical interventions open a dense, captivating listening experience.

Rue de la Prairie 4,
Switzerland

Photo Credit: Ed Williams (FR) // Decomposed clavichord: clavicorde

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Photo Credit: Ed Williams (FR) // Decomposed clavichord: clavicorde

2 – 24 October

Electron Festival 2026

Performances

Multiple locations

Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.

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Thursday 22 October, 20:00

Urgant Live

Performances

BFM

Ivan Urgant brings his late-night show to the stage in a lively concert format, blending sharp on-street reports, intimate guest encounters, national costume try-ons and stand-up humour. Performed by Urgant and his team, the production mixes televised spontaneity with theatrical staging, inviting the audience into the creative process and moments of improvisation. Expect a witty, fast-paced evening where the boundary between show and spectators blurs.

In Russian.

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24 September – 31 October

Nos voisins artificiels

Performances

Uptown

Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.

In French.

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14 – 24 October

Le Dieu du carnage

Performances

Théâtre Pitoëff

Directed by Elidan Arzoni, this fiery, hilarious staging of Yasmina Reza’s play follows two couples whose polite attempt to resolve a quarrel between their sons collapses into a savage verbal carnage. Performers Sophie Broustal, Vincent Jacquet, Camille Édith Bouzaglo and Frédéric Landenberg unleash sharp, tightly wound exchanges, while Benoît Delaunay’s scenography and Hervé Broillet’s costumes frame escalating social fractures. Danielle Milovic’s lighting and meticulous stagecraft intensify a darkly comic exploration of civility, hypocrisy and unleashed instincts.

In French.

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20 – 24 October

Anthony Kavanagh en Rodage

Performances

Uptown

Anthony Kavanagh returns with a polished stand-up evening that mixes sharp social observation, warm storytelling and physical comedy. On stage he navigates identity, family and contemporary life with infectious energy and precise timing, inviting laughter that often shifts into quieter reflection. The show balances wit and sincerity, offering moments of absurdity alongside pointed critique, and showcases Kavanagh’s ability to connect intimately with audiences through voice, gesture and character-driven sketches.

In French.

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22 September – 29 November

La Demande en mariage et l’ours

Performances

Théâtre de Carouge

Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.

In French.

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Anouk Kellner + Ed Williams + Alexis Degrenier