Antoni Tàpies presents the complete series “Variations on a Musical Theme”, twenty lithographs created in 1987. The suite reveals Tàpies’s fascination with the interplay between visual art and music: each variation establishes its own rhythm, material presence and visual language. Treated as a continuous sequence, the works unfold like a musical score, inviting an immersive reading of process, texture and symbolic gesture within the artist’s graphic practice.
Lilian Bourgeat creates hyperrealistic sculptures that magnify everyday objects into monumental forms. Meticulous attention to surface, material and colour transforms benches, rain boots and soda cans into seductive yet unsettling sculptures. By altering scale while preserving recognizable details, his pieces oscillate between functionality and absurdity, displacing the viewer and inviting fresh perceptions of ordinary gestures and urban routines. The work interrogates how familiar objects shape memory, use and the boundaries between the banal and the monumental.
Opening: Thursday 17 September, 18:00
The Acedia project by French photographer Louise Desnos offers a contemplative photographic exploration of slowness, fatigue and intimacy. Through sensitive, minimalist compositions and staged portraits, Desnos elevates inertia and non-events into a quiet poetics. The series examines idleness as resistance, a space for introspection and for reclaiming autonomy. Photographs emphasize material textures, soft light and the presence of bodies at rest, inviting viewers to reconsider cultural prejudices about productivity and rest.
Unfamiliar, Luminous, Remote marks Amit Berman’s first solo exhibition at the gallery, following an artist residency in Switzerland earlier this year. Bringing together a new body of paintings, the exhibition explores intimacy, memory and vulnerability through expressive gestures, visible layers of paint and atmospheric compositions. Moving between quiet domestic interiors, fragments of landscape and solitary figures, Berman’s works reflect on the fragile space between familiarity and estrangement, connection and withdrawal.
Created against a backdrop of war and emotional precarity, these intimate yet unsettled paintings reveal a persistent search for connection and belonging within an unstable reality.
Opening: Thursday 17 September, 18:00
Talk: Sunday 20 September, 14:30-15:30 with curator Danniel Tostes and Amit Berman.
An unprecedented exhibition traces the mask’s presence across continents and eras through 84 historical masks and contemporary creations. The displays juxtapose objects from Africa, Asia, Europe, Oceania and the Americas without geographical or chronological order, inviting reflection on the universal need to mask. Themes range from ritual, theatre and carnival to cinema, sport and contemporary art, addressing questions of identity, memory and protection through sculptural form, material practices and performative context.
Opening: Tuesday 27 October, 18:00
German artist Olaf Holzapfel presents a body of work that quietly investigates landscape, architecture and vernacular traditions. Working across sculpture, drawing, painting and installation, he foregrounds materiality and craftsmanship, transforming humble materials into structures that mediate between nature and the built environment. The works trace textures of memory and labour, proposing subtle dialogues between form and site. The exhibition emphasises process and making, inviting sustained attention to material relationships and artisanal techniques.
Opening: Thursday 17 September, 18:00
Selected works from the 20th Concours international de céramique present contemporary approaches to clay across functional and sculptural practices. The exhibition gathers emerging and established makers whose pieces range from wheel-thrown vessels and hand-built forms to experimental sculptural objects and site-aware installations. Emphasis is placed on technique, surface treatment and material research, revealing diverse glazing, firing and modeling strategies. Curatorial selection highlights formal innovation and dialogue between tradition and experimentation within contemporary ceramic practice.
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