16 September – 14 November

Live Language Model

Live Language Model brings together a collective exhibition that unfolds across successive sequences, presenting works and critical reflections on attention at the intersection of language and presence. The programme features performance-based pieces by the duo Calling the Operator (Axelle Stiefel and Octave Magescas) alongside new editions and sculptural installations by Thomas Hirschhorn and Olivier Mosset. Through typographic interventions, printed matter, performance and austere minimal forms, the project interrogates how language conditions perception and the social life of objects.

Rue des Rois 15,
1204 Genève
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Photo Credit: DR

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8 October – 21 November

Mirella Jaworska’s first solo exhibition presents paintings from 2026 that conjure the uncertain light of waking, when dream and reality blur. Drawing on early Renaissance masters and Japanese painting, Jaworska composes intimate tableaux populated by faces, flowers, skulls, cigarettes and studio objects, alongside recurring figures such as a jockey, a sphinx and a chair pierced by a heart. Her layered brushwork and muted palette explore memory, loss and melancholic reverie.

Opening : Wednesday 7 October

26 September – 31 March

This evolving exhibition explores Geneva painting from public collections, bringing together 82 works created between 1444 and 1782. Unfolding in three acts, the exhibition evolves alongside the museum’s ongoing research and restoration work.

Act I: Before 1535, Surviving the Storm – 26 September 2026 – 21 March 2027
Rare works that survived the Protestant iconoclasm of 1535, including Konrad Witz’s 1444 panels.

Act II: 1536–1685, The Secular Turn – 23 March – 19 September 2027
Following the Reformation, Geneva’s artistic landscape was transformed, with artists increasingly turning to secular subjects for both private and public settings.

Act III: 1685–1782, A Spectacular Flourishing – 25 September 2027 – March 2028
The Age of Enlightenment saw painting flourish in Geneva, with portraits and landscapes by artists including Robert Gardelle, Barthélemy Guillibaud and Jean-Étienne Liotard.

An ever-evolving journey through nearly three centuries of painting in Geneva, revealing its history, artistic techniques and the fascinating work behind its conservation.

18 September – 7 November

Artist Lou Masdurand presents a recent body of work that interrogates memory and materiality through layered painting and sculptural assemblage. Using oil, collage and found materials, Masdurand builds textured surfaces and precarious forms that record time and erosion. The exhibition examines thresholds between private recollection and shared history, privileging tactility, repetition and subtle ruptures in composition. Works demand sustained attention, inviting viewers to consider processes of making as traces of cultural and personal narrative.

Opening: Thursday 17 September, 18:00
Lou Masduraud in conversation with Julien Fronsacq : 4 November, 19:00

19 September – 29 November

Selected works from the 20th Concours international de céramique present contemporary approaches to clay across functional and sculptural practices. The exhibition gathers emerging and established makers whose pieces range from wheel-thrown vessels and hand-built forms to experimental sculptural objects and site-aware installations. Emphasis is placed on technique, surface treatment and material research, revealing diverse glazing, firing and modeling strategies. Curatorial selection highlights formal innovation and dialogue between tradition and experimentation within contemporary ceramic practice.

17 September – 7 November

Unfamiliar, Luminous, Remote marks Amit Berman’s first solo exhibition at the gallery, following an artist residency in Switzerland earlier this year. Bringing together a new body of paintings, the exhibition explores intimacy, memory and vulnerability through expressive gestures, visible layers of paint and atmospheric compositions. Moving between quiet domestic interiors, fragments of landscape and solitary figures, Berman’s works reflect on the fragile space between familiarity and estrangement, connection and withdrawal.

Created against a backdrop of war and emotional precarity, these intimate yet unsettled paintings reveal a persistent search for connection and belonging within an unstable reality.

Opening: Thursday 17 September, 18:00

Talk: Sunday 20 September, 14:30-15:30 with curator Danniel Tostes and Amit Berman.

2 September – 3 January

EXEM aux urnes – 40 Years of Political Posters brings together 40 political posters by Geneva-based illustrator EXEM between 1988 and 2023. Spanning nearly four decades of Swiss direct democracy, the exhibition explores the distinctive language of political posters at the intersection of graphic art, satire, and political commentary.

Through EXEM’s sharp and engaging imagery, the exhibition traces the political issues and communication styles that have shaped Swiss public life, and offers insight into the artist’s creative process and the stories behind his iconic posters.

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