25 September – 24 January

Ferdinand Hodler: Profession of Faith

Ferdinand Hodler: Profession of Faith examines for the first time the spiritual dimension in the work of Ferdinand Hodler (1853–1918). Through some twenty-five paintings, the exhibition traces his youthful biblical readings, his rare biblical scenes, and his relation to the Reformation and the city of Geneva. It also considers how notions of creation and the order of nature informed his symbolist language and his meditative landscapes, revealing the interplay between religious themes and formal concerns in his painting.

Cour de Saint-Pierre 10,
1204 Geneva
Photo Credit: Ferdinand Hodler, Was die Blumen sagen, um 1893, Öl auf Leinwand, 100 x 50 cm, Liestal, Kunsthistorische Sammlung, Archäologie und Museum Baselland, ©Serge Hasenböhler.
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Photo Credit: Ferdinand Hodler, Was die Blumen sagen, um 1893, Öl auf Leinwand, 100 x 50 cm, Liestal, Kunsthistorische Sammlung, Archäologie und Museum Baselland, ©Serge Hasenböhler.

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2 September – 31 October

Franck Bohbot presents a selection of photographs of heritage libraries that open a space for meditation and reverie around the idea of the library.
Alongside these images, contemporary installations and mirrored arrangements that juxtapose photographs of personal libraries create reflective encounters, while a kaleidoscope of texts centers the theme. The exhibition examines how architecture, collection and personal memory shape our relation to knowledge, evoking nostalgia, curiosity and questions about the library as a social and imagined space.

Opening: 2 September, 18:30

16 September – 3 October

Gisèle Bonin presents Fragiles, an exhibition of drawings, photography and installation that examines fragment, memory and intimate loss. Using sanguine, graphite and charcoal, Bonin composes delicate, grain‑sensitive surfaces where bodily fragments become sites of presence and silent testimony. The work reflects on exile and absence, revealing how gestures of drawing and measured installation practices hold traces of difficult histories without explicit narration.

4 – 10 October

On the occasion of her first institutional solo exhibition in Geneva, Marisa Cornejo presents El Taller de la Fragilidad, bringing together new sculptures, drawings, and installations. Born in Chile and based in Switzerland, the artist draws on her experience of exile to explore the relationships between memory, displacement, absence, and repair. Several of the works have been created especially for Halle Nord, examining the forms of resilience that emerge from uprootedness. Recipient of the Fondation Francine Delacrétaz Prize (2023) and a Swiss Art Award (2024), Marisa Cornejo’s practice spans sculpture, drawing, installation, performance, and archival research.

Opening: 3 September, 18:00
Guided tour: 11 September, 18:00
Reading by Pedro Jimenéz Morrás: 11 September, 18:30

19 – 27 September

Photographer Jörg Brockmann and ceramist Youlichka Fioramonti present a joint exhibition that transposes the human body onto porcelain through cyanotype processes. Brockmann’s images are photographed and printed onto film, then transferred onto light-sensitive porcelain plates before firing. Fioramonti’s ceramic practice engages this material translation, emphasizing the interplay of light, chemistry and fire. The works probe material transformation, the role of chance within analogue techniques and a dialogue between photographic form and crafted surface.

19 – 27 September

PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.

17 September – 7 November

Lilian Bourgeat creates hyperrealistic sculptures that magnify everyday objects into monumental forms. Meticulous attention to surface, material and colour transforms benches, rain boots and soda cans into seductive yet unsettling sculptures. By altering scale while preserving recognizable details, his pieces oscillate between functionality and absurdity, displacing the viewer and inviting fresh perceptions of ordinary gestures and urban routines. The work interrogates how familiar objects shape memory, use and the boundaries between the banal and the monumental.

Opening: Thursday 17 September, 18:00

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