17 September – 3 November

Gregory Bourrilly – Écho

Free

Geneva based artist Gregory Bourrilly presents seven sculptures and a photograph that reconsider human-centered narratives in favor of ecological processes. Since 2018 his practice explores living dynamics and natural phenomena, imagining a posthuman world where human culture gradually yields to vegetal and animal recolonization. The works combine sculptural forms and photographic framing to evoke material transformation, decay and emergence, proposing alternative imaginaries of coexistence beyond anthropocentrism.

Opening: Thursday 17 September, 18:00

Blvd Georges-Favon 19,
1204 Geneva

Photo Credit: DR

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Photo Credit: DR

26 September – 31 March

From Shadow to Light

Art & Exhibits

MAH

This evolving exhibition explores Geneva painting from public collections, bringing together 82 works created between 1444 and 1782. Unfolding in three acts, the exhibition evolves alongside the museum’s ongoing research and restoration work.

Act I: Before 1535, Surviving the Storm – 26 September 2026 – 21 March 2027
Rare works that survived the Protestant iconoclasm of 1535, including Konrad Witz’s 1444 panels.

Act II: 1536–1685, The Secular Turn – 23 March – 19 September 2027
Following the Reformation, Geneva’s artistic landscape was transformed, with artists increasingly turning to secular subjects for both private and public settings.

Act III: 1685–1782, A Spectacular Flourishing – 25 September 2027 – March 2028
The Age of Enlightenment saw painting flourish in Geneva, with portraits and landscapes by artists including Robert Gardelle, Barthélemy Guillibaud and Jean-Étienne Liotard.

An ever-evolving journey through nearly three centuries of painting in Geneva, revealing its history, artistic techniques and the fascinating work behind its conservation.

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Permanente exhibition

Exploring the Universe

Art & Exhibits

CERN

Big Bangs, tiny particles and some very big questions. CERN’s Science Gateway makes particle physics surprisingly tangible through hands-on experiments, real scientific objects, and immersive installations. You don’t need a physics degree — curiosity will do just fine.

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27 August – 15 November

Cités délaissées & Mirages

Art & Exhibits

Galerie du Boléro

Jean-Marc Yersin and Antoine Roth present two photographic projects that probe urban and natural perception.

In Cités délaissées, Yersin composes futuristic images of deserted cities where digital dematerialization, climate strain and demographic decline have hollowed out public life; the photographs evoke frozen infrastructures and virtual withdrawal. Mirages sees Roth using a long-focus digital camera along the shores of Lake Geneva to capture rare atmospheric and optical phenomena—mirages, light and reflections—questioning the materiality of landscape and how perception shapes experience.

Opening: Thursday 27 August, 18:00

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Permanent Exhibition

The Story of Geneva

Art & Exhibits

Maison Tavel

Geneva, before it became the Geneva we know. Set in the city’s oldest surviving private residence, Maison Tavel tells the story of local life from the Middle Ages to the 19th century. Don’t miss the impressive Magnin Relief, a huge model of Geneva before its fortifications disappeared.

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13 October – 15 November

Dance First Think Later

Art & Exhibits

Le Commun

Dance First Think Later brings together choreographers, performers, visual artists and videographers to investigate convergences between dance, performance and moving image. The exhibition combines installations, video works, sculptures, drawings, scores and archival materials alongside durational performances.
Through embodied gestures and staged movement, the programme examines how bodies register history, politics, migration, gender, urban space, ecology and technology. Curated by O. Kaeser, the project foregrounds relational practices that reveal and question the choreographies shaping social and spatial life.

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Permanent exhibition

The Archives of Human Diversity

Art & Exhibits

MEG

Objects tell stories here — about people, beliefs, traditions, and the way cultures meet. The MEG draws on collections from around the world, while also asking timely questions about where museum objects come from and how their stories should be told today.

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Gregory Bourrilly – Écho