Choreographed and performed by Christian Ubl in collaboration with naturalist Gilles Clément, this danced dialogue unfolds like a wandering garden where movement and thought grow freely. With humour and tenderness, the duo probes what it means to be alive: planetary mixing, the journeys of seeds, the delicate dance of the edelweiss and the encounter between voice and body. Sparse staging and intimate interplay let poetry sprout and invite quiet reflection. Co-produced with festival Antigel.
Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.
In French.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
The Icelandic quartet ADHD presents their tenth album, ADHD 10, continuing an exploration between jazz, ambient, rock and folk. Simon Frith describes it as “a desolate quietude… Nordic, neither urban jazz nor rural folk.” Their immersive, sensory sound transcends genres, offering an intense concert blending new material with signature pieces. The group—Óskar Guðjónsson (saxophones), Ómar Guðjónsson (guitar, pedal steel, bass), Tómas Jónsson (piano, keyboards) and Magnús Trygvason Eliassen (drums)—creates spacious, contemplative textures that evolve into powerful, lyrical climaxes.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Directed by Alexander Zeldin, The Other Place is a contemporary reading of Antigone that carves a tragic family drama out of everyday life. On the anniversary of their father’s death, two estranged sisters confront memories, renovation works and an uncle determined to move on. With Jerry Killick among the cast and a strikingly realistic scenography, the production exposes hidden violences, irreconcilable trajectories and raw emotional fractures in a finely observed, tense staging.
In English.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
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