Formed in Lausanne in 2020 during the pandemic, Morning Tape is a five-piece collective of seasoned, passionate musicians. Their eclectic, dynamic repertoire draws on funk, soul and jazz, blending tight grooves, warm horns and rhythmic drive to captivate listeners. The ensemble favors energetic arrangements that dissolve stylistic boundaries, focusing on deep pocket, interplay and soulful solos. Expect a rich, danceable sound that privileges groove, colour and live spontaneity.
Directed by Marie-José Malis, Retour au pays revisits Hugo von Hofmannsthal’s letters through a spare, lucid staging. Performers Alexandra Tiedemann and Juan Crespillo inhabit the returning merchant’s disorientation, while Aurélia Ansermet provides live music and sound. Bernard Héritier’s scenography and Jessy Ducatillon’s lighting shape moments of visual surprise, most poignantly a Van Gogh encounter that restores belief in the world. The piece refuses facile answers, offering theatrical lucidity and an austere emotional clarity.
In French.
Conceived as a dialogue between historical research and live performance, this second edition of Les Encyclopédiennes explores bel canto and the first currents of Italian Romanticism. Musicians from L’Encyclopédie shape a refined programme that moves from lecture and vocal reflection to concert performance, with Bénédicte Tauran in the workshop and young talents from the HEM in the Ex-Libris concert. The atmosphere is intimate, lyrical, and intellectually charged.
In English.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Remix brings Les Impertinences’ exuberant collision of baroque and Latin American music. Under musical director Pablo Agudo López, the ensemble blends historical practice, improvisation and virtuosic flair. Featuring Emma Vignier, Gabriel Canneva, Ulises Pineda, Luis Eduardo López, Sergio Valdeos, Florencia Romero and creative collaborators Jeanne Kleinman and Léo Petrequin, the programme swaps dance forms and melodies, opening old material to rhythmic and timbral reinvention. The result is a festive, cosmopolitan concert that balances scholarly rigour with spontaneous, theatrical energy.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
A theatrical, musical and visual voyage into the heart of the Mediterranean, Poésidonia brings together forty actors, singers and musicians in a vibrant chorus. Their stories speak of solidarity, exile, hope and resistance, carried by poetry, music and voices from across the world. Around the performance, concerts extend the encounter, while an exhibition of photographs and illustrations adds further visual perspectives.
In French.
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