Thursday 5 November, 19:30

Remix — Les Impertinences

Booking Required

Remix brings Les Impertinences’ exuberant collision of baroque and Latin American music. Under musical director Pablo Agudo López, the ensemble blends historical practice, improvisation and virtuosic flair. Featuring Emma Vignier, Gabriel Canneva, Ulises Pineda, Luis Eduardo López, Sergio Valdeos, Florencia Romero and creative collaborators Jeanne Kleinman and Léo Petrequin, the programme swaps dance forms and melodies, opening old material to rhythmic and timbral reinvention. The result is a festive, cosmopolitan concert that balances scholarly rigour with spontaneous, theatrical energy.

Avenue de Miremont 46,
1206 Genève

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3 – 22 November

Retour au pays / Hugo von Hofmannsthal

Performances

Théâtre des Amis

Directed by Marie-José Malis, Retour au pays revisits Hugo von Hofmannsthal’s letters through a spare, lucid staging. Performers Alexandra Tiedemann and Juan Crespillo inhabit the returning merchant’s disorientation, while Aurélia Ansermet provides live music and sound. Bernard Héritier’s scenography and Jessy Ducatillon’s lighting shape moments of visual surprise, most poignantly a Van Gogh encounter that restores belief in the world. The piece refuses facile answers, offering theatrical lucidity and an austere emotional clarity.

In French.

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Wednesday 4 November, 21:00

Bbbbbbb + Erica Dawn Lyle + Record-Spinning Set

Performances

Cave12

BBBBBBB, the Japanese duo of Saionji (voice and sound production) and Sawa (voice), unleashes a sonic upheaval where digital hardcore collides with noise, industrial textures, trap and other unruly sounds. US guitarist Erica Dawn Lyle brings an intense, abrasive electric-guitar solo, carving a raw and uncompromising path through distortion and physical energy. Bamba Triste and Fuxy Lady round out the evening with a record-spinning set specially conceived for this occasion, extending the night’s adventurous, unruly soundscape.

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Wednesday 4 November, 20:00

Brasser de l’air et s’envoler

Performances

Salle Communale d'Onex

Xavier Guelfi presents an intimate solo performance in which he embodies a clumsy, naive coach of happiness. Raised near Onex and known for film and stage roles, Guelfi greets the audience from a kitchen transformed into a timeless cocoon. With poetic physicality and Arlequin-like charm, he mixes gentle humour and existential reflection, inviting the public to dream and to reclaim faith in humanity. A suspended, comforting utopia that soothes and amuses.

In French.

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2 – 4 November

Traktor

Performances

Lex Madone

Traktor presents an intimate evening with a lean trio: Brooks Giger (double bass), Anthony Dietrich Buclin (trombone) and Dominic Egli (drums). The set foregrounds close musical conversation, contrasting lyrical lines with rhythmic immediacy and open textures. The musicians navigate between composed motifs and spontaneous interaction, creating moments of tension and release in a concentrated, exploratory format. The performance is presented with the support of a local association offering the performance space free of charge.

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29 October – 8 November

La Migration des cœurs

Performances

Le Poche

Adapted freely from Maryse Condé and Emily Brontë, this theatrical adaptation follows Razyé and Cathy across three generations in a post-emancipation Guadeloupe. Directed by Anne Monfort, the production probes themes of racism, passion, pride, social violence, vengeance and fatalism through a visceral, rhythmic staging. The ensemble uses sparse, evocative design and intense physical interplay to reveal how inherited trauma shapes desire and retribution.

In French.

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3 – 4 November

Estefanía Álvarez Ramírez & Luisa Fernanda Alfonso – Quinceañeras

Performances

Pavillon ADC

Quinceañeras is a durational performance created and performed by Colombian artists Estefanía and Luisa, who examine the ambivalence of the quinceañera ritual. Combining movement, symbolic staging and intimate scenography, the piece interrogates colonial legacies and the boundaries of gendered rites of passage. Through choreography and poetic gestures they transform ritual into acts of resistance and self-affirmation, proposing new modes of feminine representation and collective memory within contemporary performance.

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Remix — Les Impertinences