Wednesday 13 January, 19:30

Concert de l’An

Booking Required

Under the baton of Karen Kamensek, this programme weaves sparkling overtures, lyrical intermezzos and poignant opera arias delivered by soprano Juliana Grigoryan. The orchestra shapes luminous textures and nuanced dynamics, balancing dramatic intensity with refined phrasing. The evening explores melodic eloquence and theatrical gesture, drawing listeners into an intimate yet expansive sound world. Expect vivid orchestral colours, sensitive solo lines and an emotionally charged journey through the operatic repertoire.

Rue du Général-DUFOUR 14,
1204 Genève
Photo Credit: DR
{"title":"Concert de l’An","description":"\u003Cp\u003EUnder the baton of Karen Kamensek, this programme weaves sparkling overtures, lyrical intermezzos and poignant opera arias delivered by soprano Juliana Grigoryan. The orchestra shapes luminous textures and nuanced dynamics, balancing dramatic intensity with refined phrasing. The evening explores melodic eloquence and theatrical gesture, drawing listeners into an intimate yet expansive sound world. Expect vivid orchestral colours, sensitive solo lines and an emotionally charged journey through the operatic repertoire.\u003C\/p\u003E","start_date":"2027-01-13","end_date":"2027-01-13","date":"Wednesday 13 January, 19:30","timings":[{"timing_start_date":"20270113T183000Z","timing_end_date":"20270113T203000Z"}]}
Photo Credit: DR

You might also like

8 – 9 September

Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.

In French.

9 – 12 September

Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.

In English and Arabic with French surtitles.

8 – 13 September

Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Wednesday 9 September, 20:00

Juliette Pym (bass) and Bonella Holloway (keys) form Générique Mardi, a duo channeling the raw energy of no wave through hushed, bittersweet melodies and spoken-word passages. Their intimate set balances shadowy atmospheres and brittle pop textures, unfolding small, domestic crises into charged miniatures. Sparse arrangements leave space for tension and wit, where melodic hooks hover between nostalgia and unease. The performance favors subtle dynamics and close attention to timbre, inviting attentive listening.

9 – 10 September

Anitya — L’Impermanence is a participatory solo circus performance by acrobat Inbal Ben Haim. Set among a web of taut, intertwined ropes, the piece explores impermanence, letting go and collective reconstruction. Ben Haim’s mastery of the corde lisse produces striking visual tableaux, blending physical virtuosity with intimate audience interaction as spectators are invited to untangle and lift the performer. The work is atmospheric and sculptural, balancing tension, release and quiet resilience.

8 – 9 September

Choreographed by Christos Papadopoulos, My Fierce Ignorant Step gathers ten bodies whose mounting breath becomes the show’s engine. The piece translates performers’ respiration into kinetic waves and layered soundscapes, dialoguing with the contemporary music of Mikis Theodorakis. Drawing on the choral pulse of ancient tragedy, the work collapses collective Hellenic memory into intimate reveries — the impulse of beginnings, the buoyancy of first encounters and the spontaneous spark of early laughter. The staging is physical, precise and visceral.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Newsletter

Culture, curated weekly.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Date

Title

Location

Description

calendar placeholder

Reset password

Forgot your password?

Sign Up

Create your Account and Culture Up!