La Clique is a creative residency presenting four emerging stand-up artists whose distinct voices and comic styles interact in a tightly staged showcase. The season brings ensemble work, solo turns and improvised exchanges, mixing sharp observation, absurdist sketches and personal storytelling. The atmosphere is intimate, unpredictable and collaborative, highlighting the dynamics between performers and audience while exploring contemporary humour in multiple registers.
In French.
Extra Loops Party closes the festival with an intense late-night celebration of electronic textures and rhythmic exploration. The programme gathers DJs and live performers around looping, improvisation and dense soundscapes, favouring immersive sets and collective energy. Lighting and spatial design amplify the experience, turning the space into a pulsating, communal dancefloor. The line-up will be announced later, keeping the night open to surprises and spontaneous encounters.
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
American guitarist, singer and producer Josh Smith brings virtuosic blues guitar and gritty vocals, his style steeped in contemporary and classic blues. Acclaimed by Guitar World among the top twenty living blues guitarists, he blends roaring solos with soulful phrasing. Sharing the bill, Amaury Faivre offers an intimate blues‑folk one‑man show, combining guitar, voice, harmonica, loops and stompbox. Together they create a night of raw energy and tender moments, alternating electric fire and acoustic intimacy.
FURTHER AFIELD
Presented as part of the fiftieth edition of Festival de la Bâtie, this late-stage production by Robert Wilson draws its creative power from the polymorphic poetry of Fernando Pessoa. Like a magic mirror, Pessoa – Since I’ve Been Me illuminates the nuances of Wilson’s singular aesthetic: meticulous stagecraft, visionary fantasy and boundless imagination. Seven virtuosic performers, including Maria de Meideros, embody Pessoa and his heteronyms in a poetic, visually arresting mise en scène.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
“Couleur 8” explores the idea of existing at the margins: the place from which one sees no one and is not seen. Without familiar reference points or comparisons, the piece invites spectators to impose their own rhythm and to question the strength of marginality. Sparse staging and attentive pacing create an intimate, contemplative atmosphere where movement, silence and timing shape perception and unsettle expectations.
In French.
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