Directed by Célie Pauthe and adapted from Mathieu Belezi’s novel, C’était notre terre is a five‑performer theatre piece that stages the collapse of a family in northern Algeria during the war of independence. Kamel Khélif’s paintings infuse the mise en scène, confronting the violent logics of colonial rule. The ensemble navigates memory, rupture and generational trauma through a choral narrative performed in French and Kabyle, with French surtitles.
Renegade Saints bring their flagship improv comedy to the stage with Fast. Funny. Made Up., their longest-running English-language show in Geneva. Built from audience suggestions, the performance unfolds in quick, unpredictable scenes full of playful energy and sharp comic timing. The atmosphere is informal and convivial, with the crowd guiding the journey from their seats. Fast-paced and generous in spirit, it offers the thrill of watching stories invented in the moment.
In English.
Presented within the Emerentia festival, this evening gathers three original short dance pieces by Shereya, Joce and Uma. Inspired by literary short stories, the program uses compact narrative forms to probe storytelling through movement, confronting the codes and bodies of institutional contemporary dance. Each 30-minute piece shifts tone and atmosphere, alternating intimate gestures and bold choreographic risk to explore memory, desire and afterlives of the party. The work favours concentrated dramaturgy and physical immediacy.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
Drawing on the poetry of Alda Merini, this new creation by Cie Linga brings seven performers and dedicated collaborators together in a politically charged, poetic ensemble. The piece explores collective choreography as a living, shifting organism: bodies merge, diverge and form ever-changing configurations that reveal individual singularities within a shared consciousness. Through intimate physical connections and circulating emotions, the company imagines diversity as a source of collective richness and a hopeful vision of communal joy.
Featuring guitar teachers and students from the Conservatoire populaire and dancers from the pre‑professional contemporary class of Emilio Artessero Quesada, this program stages a dialogue between dance and guitar rooted in Cuban repertoire. Works by Leo Brouwer — including the complete 20 Études simples and Paisajes cubanos — weave minimalism, serial techniques and Cuban folklore into a dense rhythmic tapestry. The performance balances precise instrumental textures and kinetic, communal choreography, offering vivid sonic colours and pulsing movement.
This improvisational cabaret gathers a rotating ensemble who transform prompts into exuberant, instant theatrics. Performers spin spontaneous stories, invent vivid characters and push collective comedy toward grand, over-the-top moments. The staging favors quick costume shifts, dynamic lighting and a live-paced soundscape that heightens each surprise. Featuring Nadim Ahmed, Blaise Bersinger, Nina Cachelin, Odile Cantero, Deborah Chirenti, Thomas Demaurex, Alain Ghiringhelli, Julien Henchoz, Malik Kaufmann, Pauline Maitre, Adrien Laplana, Eric Lecoultre and Quentin Lo Russo, the show celebrates the art of improvisation and shared laughter.
In French.
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