Performer and poet Katerina Apostolopoulou reads extracts from the Artemis serials, weaving myth and contemporary reflection through lyrical narration. Projected images taken from the books accompany the reading, creating a visual echo that expands the tales for listeners of all ages. The session is presented as part of a larger 100-episode cycle designed for aloud sharing across generations, with contributions by Murielle Szac and Noëlle Reymond.
In French.
Led by Ahmed Madani and a troupe of young performers, this vibrant, joyful performance gathers choir, intimate video narratives, dance, live music and the sonic textures of protests in an interactive agora. The staging blends collective singing, personal testimony and physical theatre to explore youth engagement, solidarity and the emergence of shared pathways. The piece is electrifying and tender, inviting audiences into an energetic communal experience.
In French.
Oscar M. Damianaki’s Sacré Saoulé gathers a collective of performers to examine mourning, anger and exhaustion through a charged, intimate choreography. The piece moves between bitterness and tenderness, exploring a grief born of ongoing oppression that resists closure. Performers Tejus Menon and Davia Spain cocreate a physical language informed by discreet eroticism. Lighting by Tiki and costumes by Arsen Aeby shape a tense, tactile atmosphere. Co-produced by Emergentia.
A comic lecture-show that makes the DISC method accessible through four colourful characters: Roger (the Dominant), Justine (the Influential), Virginie (the Stable) and Bernard (the Conscientious). Blending theatre and practical pedagogy, the performance uses humour and concrete tools to illuminate behavioural styles and improve interpersonal and professional communication. Adaptable for corporate conferences or public audiences, it balances lively sketches with clear takeaways to help participants recognise their patterns and communicate more effectively.
In French.
Centred on Sami Bernath’s embodied memories, this performance mixes Swiss popular songs, rhythmic gestures and the traditional Löffelä spoon percussion to transform everyday motions into sound. Through repetition, deformation and rhythmic saturation, familiar motifs become permeable, revealing buried and repressed memories beneath the Swiss mountains. The staging is intimate and ritualistic, alternating fragile vocal fragments and percussive textures to probe memory and collective inheritance.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Directed by Gilles Guénat and written by Roxane Gray, The Wall is a dance-theatre piece that immerses audiences in a musical and choreographic tapestry around the history of the Berlin Wall. Choreographies by Fabrice Martin, Sabine Gross-Collé, Gilles Guénat and Anthony Despras shape a fluid dialogue between a woman and a man, where the personal and the political intertwine. A company of around ten artists navigates intimate gestures and collective movements, evoking memory, rupture and resilient lyricism.
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