Gli Angeli Genève performs a programme of sacred cantatas and motets by Johann Sebastian Bach and Andreas Hammerschmidt. The concert features Bach’s BWV 66, BWV 154 and BWV 168 alongside Hammerschmidt motets, delivered by choir and soloists with period-informed interpretation and transparent instrumental support. The evening explores spiritual contrasts—intense emotion, luminous choruses and expressive arias—presented with refined phrasing and historical sensitivity.
An emblematic stand-up showcase celebrating the club’s ninth anniversary, presenting the best of Romand humour across three nights. Eighteen talented comedians alternate on stage in an intimate, vaulted-cellar setting, delivering sharp observations, playful storytelling and rapid-fire sketches. The programme blends established voices and emerging talent, shifting between satirical edge and warm, observational comedy to create an electric, convivial atmosphere.
In French.
Led by Edwin Sanz, Jazz Night Latina gathers musicians and enthusiasts around vibrant Latin rhythms. The programme explores salsa, cumbia, merengue and Latin jazz through tight grooves, lively improvisation and moments of communal exchange. Soloists take turns to push creative boundaries while the ensemble blends danceable beats with nuanced phrasing, creating a warm, festive atmosphere that highlights musical conversation and improvisational energy. Listeners are invited to share the experience.
Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.
In French.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
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