Gli Angeli Genève performs a programme of sacred cantatas and motets by Johann Sebastian Bach and Andreas Hammerschmidt. The concert features Bach’s BWV 66, BWV 154 and BWV 168 alongside Hammerschmidt motets, delivered by choir and soloists with period-informed interpretation and transparent instrumental support. The evening explores spiritual contrasts—intense emotion, luminous choruses and expressive arias—presented with refined phrasing and historical sensitivity.
Produced by Village du Soir, Nostalgia & Disco XXL gathers headline artists Gala, Boney M, O-Zone, Helmut Fritz, Lââm and Matt Houston in an immersive retro-concert and dance night. Spectacular scenography and dynamic lighting designs frame live performances and DJ sets, while costume-driven visuals and neon aesthetics revive 80s–2000s pop culture. The program balances communal sing-alongs with club energy, inviting collective euphoria through layered sound and kaleidoscopic staging.
Choreographer and performer Geumhyung Jeong presents a double programme that probes the uneasy alliance between the human body and surrounding objects. Combining contemporary dance, performance, puppetry and visual art with a long-running interest in robotic sculptures, she revisits works in a conference-performance, Toy Under Development, before performing Find Select Copy and Paste. Stripping movement of its props — even appearing naked as a deliberate “costume” — Jeong reconfigures gestures to blur animate and inanimate, creating an intimate, uncanny ritual.
Les Fabulateurs present a long-form improvisation in which the audience steers the narrative. A story grows from spectators’ suggestions, then at intermission the crowd proposes twists; the chosen idea is woven into the second half, overturning characters and stakes. The company relies on quick wit, physical play and tight ensemble listening to reshape plotlines in the moment. The piece privileges surprise, communal invention and a lively, razor-bright comic energy that keeps the performance elastic and unpredictable.
In French.
Electric Rastrello deliver a frenzied, abrasive tronic-rock punk surge as a compact duo, contrasted by France’s power trio that unfolds monolithic riffs propelled by an amplified hurdy-gurdy, bass and drums. The programme fuses live combustion and raw dynamics into dense, immersive soundscapes, shifting between frantic attacks and submerged, textured passages. Between sets, Carl and Fuxy Lady craft a tailored record set that frames and links the two performances.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
Led by Maestro Boudchart, this concert presents a fluid musical journey blending original compositions with beloved classics and contemporary Arabic hits, alongside timeless Western melodies. The programme balances virtuosic solos and ensemble passages, inviting attentive listening and shared moments of emotion. The evening foregrounds interaction with the audience, shaping dynamic interpretations that bridge cultural traditions and modern sensibilities. Intimate yet expansive, the performance highlights melodic richness and rhythmic nuance.
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