Gli Angeli Genève presents the final instalment of their complete Cantatas cycle, led by bass and conductor Stephan MacLeod. The programme juxtaposes cantatas BWV 109, 134 and 187 with the motet Komm, Jesu, komm (BWV 229), performed by soloists Aleksandra Lewandowska, Alex Potter and Thomas Hobbs. The interpretation favours intimate chamber textures and expressive clarity, exploring Bach’s reflections on faith and a spirituality that transcends liturgical boundaries.
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.
In French.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
Two retired clowns revisit moments from their lives with mischievous tenderness and a sharp, critical eye. The piece unfolds as a series of rapid transformations—each reinvention arriving every three minutes—blending physical comedy, memory and gentle satire. The performers invite laughter through self-mockery and shared recognition, balancing fragility and spirited resilience. Staging privileges rhythm and gesture, creating a warm, bittersweet atmosphere that observes the world through playful yet clear‑eyed humour.
In French.
Born in Cornwall around musician Will Greenham, Blind Yeo blends psych‑folk, krautrock and psychedelic rock into expansive, trance‑like songs. Electric guitars weave repetitive patterns over deep bass and insistent rhythms, while occasional vocal lines drift into the instrumental texture. The project functions as a constellation of collaborators: Sam Pert (drums), Phil Self (guitars), Henry Greenham (synths), Philippa Blum (cello), Jake Sheridan (bass), Anouska Helm (voice, guitar) contribute to a fluid, evolving sound that favors slow-building, immersive grooves.
Set during a bitter winter in 1980s Turkey amid a military coup, Kar Korsanlari (Snow Pirates) follows three boys who scavenge for coal to survive the cold. With intimate, observational imagery and restrained yet powerful storytelling, the film contrasts the harsh authority of soldiers with the fragile, playful solidarity of childhood. A quietly political and poetic debut, it exposes the mechanisms of repression while celebrating youthful resilience and small acts of compassion.
Screening, concert on Place du Marché (Dara Macit and Ismail Tumen) et exhibition at bar Vehbi Koca
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