Hippocampe is a hypnotic sensory performance by the Compagnie des Bestioles that invites young audiences into a world built from 900 wooden cubes. Objects and light become protagonists as choreography, sculptural play and music transform towers and ruins into shifting landscapes, sometimes cosmic, sometimes oceanic. The piece blends visual arts, dance and theatre into a poetic exploration of imagination, perception and the pleasure of starting anew.
In French.
Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
Nearly 250 pupils from École primaire de Geisendorf join 170 musicians of the Harmonie des Cadets in a communal concert that gathers almost 400 young performers. Under the musical direction of Pierre Lanfrey, Raphaël Hugon and Stilver Segando, with Christophe Zimmermann leading percussion and Marion Fontana directing the Geisendorf choir, the programme blends youthful voices and wind ensemble sonorities. The staging favours vibrant textures, dynamic contrasts and a celebratory, tightly-knit sound that highlights community and musical apprenticeship.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Now in its fifth edition, the Estival de la Cour des Hutins brings together emerging and established local bands for two days of summer concerts. The lineup mixes indie, rock and electronic flavours, including Katavia, Prune, Lyosun, Emy No Joke, The Resylients, Don’t Kill The Cow and The Hoods Off. Expect energetic sets, a communal outdoor atmosphere and improvised musical moments that showcase Geneva’s grassroots scene.
Created and performed by Leila Moon, this audiovisual piece investigates the nearly forgotten meddahates, a women-led musical and narrative practice from Algeria. Drawing on Moon’s Deep Dive into Meddahates research — field interviews and archival recordings — the performance interweaves sung material and oral narration with electronic textures.
The work foregrounds memory, communal storytelling and acts of resistance, offering an intimate, archival atmosphere that bridges past and present while highlighting female voices and cultural transmission.
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