Created and performed by Pamela Ravassard from a text by Gilles Granouillet, Zoom is a raw, single character theatre piece that probes maternal love, social judgement and resilience. On stage, the actress embodies a mother who defends her son fiercely, revealing tenderness, anger and humour as memories and confrontations unfold. The writing balances intimacy and civic observation, offering a poignant, physically charged performance that leaves a lasting emotional imprint.
In French.
Performed by actress Carole Epiney and classical guitarist Carl Alex, this poetic reading traces the night as an intimate, mysterious landscape. Selections from Emily Brontë, Rainer Maria Rilke, Charles Baudelaire, Alphonse de Lamartine and Renée Vivien unfold between spoken word and guitar, alternating melancholy, contemplation and quiet longing. Brief newly written fragments weave the poems into a continuous arc, while the pared-back musical accompaniment envelops the voice in a soft, reflective atmosphere.
In French.
With an authentic, melancholic yet luminous voice, Dinaa transforms personal stories into songs. As singer-songwriter and composer she spent two years on the road alone with her guitar, giving more than a hundred concerts and sharing stages with renowned artists. Her debut album, Maison Vide, blends pop-rock, blues-soul and hip-hop–infused lyricism to map a raw emotional territory, singing of love, fractures and inner struggles with sincerity and restrained power.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Directed by Alexander Zeldin, The Other Place is a contemporary reading of Antigone that carves a tragic family drama out of everyday life. On the anniversary of their father’s death, two estranged sisters confront memories, renovation works and an uncle determined to move on. With Jerry Killick among the cast and a strikingly realistic scenography, the production exposes hidden violences, irreconcilable trajectories and raw emotional fractures in a finely observed, tense staging.
In English.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
The Icelandic quartet ADHD presents their tenth album, ADHD 10, continuing an exploration between jazz, ambient, rock and folk. Simon Frith describes it as “a desolate quietude… Nordic, neither urban jazz nor rural folk.” Their immersive, sensory sound transcends genres, offering an intense concert blending new material with signature pieces. The group—Óskar Guðjónsson (saxophones), Ómar Guðjónsson (guitar, pedal steel, bass), Tómas Jónsson (piano, keyboards) and Magnús Trygvason Eliassen (drums)—creates spacious, contemplative textures that evolve into powerful, lyrical climaxes.
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