Performed by Fred Radix, La claque revives the forgotten craft of the claqueurs — professional applauders — in a witty, refined one-man theatre piece. Set in a Parisian playhouse of 1895, Radix embodies Auguste Levasseur, who must recruit a new team with the help of Fauvette, musician, and Dugommier, stage manager. The show blends interactive, poetic and musical moments, shattering the fourth wall to make theatre vividly present.
In French.
Jeremy Ratib performs material from his album Backlot Country, a hazy window onto an adolescence in Los Angeles where Halloween spectres, bushfires that redden Pacific sunsets and empty pools echo post‑Y2K nostalgia amid kickflip cadences. Rooted in folk songwriting, the music unfolds as homemade psychedelic country‑rock emo, intimate and evocative. Ratib is joined by Valentin Liechti (drums, vocals), Robin Girod (bass, guitar, vocals), Flavie Ndam (saxophone, vocals), Lorraine Dinkel (guitar, vocals) and Lucas Churet (sound).
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
Written and directed by Raphaëlle Farman, this musical comedy follows six eccentric lottery winners whose most improbable dreams suddenly come within reach. With the charismatic show host Macha and the scheming production director Florence, the ensemble embarks on escapades that leap from Arthurian chivalry to the surface of the moon. A troupe of spirited performers animates comic tableaux, while playful staging, brisk choreography and bursts of onstage magic create an exuberant, nostalgic atmosphere that celebrates imagination and folly.
In French.
This performance investigates vocal plasticity, improvisation, and emotional communication, frequently in collaboration with museums and contemporary art spaces. Combining musical and choreographic improvisation, it questions the dominant frameworks and hierarchies embedded in language.
The Apéro Concert d’Été offers a relaxed and convivial musical experience that blends live performance with the spirit of Geneva’s summer evenings. Bringing together audiences in an intimate and festive atmosphere, the event combines quality music, cultural discovery, and social exchange around an open-air apéritif setting. Designed as a moment of encounter and celebration, it highlights local artistic talent while creating a warm and accessible space where music, conversation, and seasonal conviviality come together naturally.
Douglas Vanille is an intergalactic DJ performance merging live indie dance rhythms with dark disco textures. After fleeing the destruction of his home planet Kiwi32, the solitary DJ pilots a tiny vessel while pursued and battered by cosmic hazards. On stage the audience becomes his crew and the room a cockpit, guided by propulsive grooves and luminous sound design. Accompanied by his robotic companion K‑R4MEL, the show invites sustained movement and nocturnal reverie.
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