Performed by Fred Radix, La claque revives the forgotten craft of the claqueurs — professional applauders — in a witty, refined one-man theatre piece. Set in a Parisian playhouse of 1895, Radix embodies Auguste Levasseur, who must recruit a new team with the help of Fauvette, musician, and Dugommier, stage manager. The show blends interactive, poetic and musical moments, shattering the fourth wall to make theatre vividly present.
In French.
Led by musicologist Mathilde Reichler and journalist Charles Sigel, this lecture-concert examines the singular sound world of Sofia Gubaidulina through commentary and live performance by internationally renowned Swiss musicians. The program alternates analytical introductions and concentrated chamber renditions, highlighting spiritual intensity, timbral experimentation and lyrical restraint. Performances emphasise quiet intensity and resonant textures, creating an intimate, contemplative atmosphere that balances scholarly insight with the immediacy of sound.
In French.
Based on sketches by Devos, Ribes, Sylvie Joly, Palmade and Martinez, this theatrical revue sketches the comic microcosm of apartment life. Short scenes expose domestic tensions — marital rows, overwhelmed parents, an unpredictable grandmother and holiday disasters — with sharp observational wit and precise farcical timing. The ensemble slips into vivid characters, combining spoken comedy and physical nuance to reveal tenderness beneath the chaos, offering a warm, incisive portrait of neighbours and family.
In French.
With caustic wit and sharp storytelling, Yoanna Sallese explores how to take life lightly amid pressures and setbacks. Her stand-up blends observational comedy about love, ghosting, failure and fragile convictions with a warm, resilient voice that invites laughter and release. A former journalist turned comedian, she was selected by Le Point-Virgule and featured at Montreux Comedy Pop Up; she has opened for Thomas Wiesel and Marina Rollman.
In French.
FURTHER AFIELD
Ce qui nous traverse, choreographed by Nawal Aït Benalla and co-directed with Abou Lagraa, is a visceral dance piece by Compagnie La Baraka that probes the body in an age of technology. Dancers Elie Fico, Alba Fracchia, Marion Frappat, Alfredo Gottardi and Rachele Pinzan navigate rhythmic patterns, tensions between constraint and freedom, isolation and encounter, and the shifting boundaries of embodiment. Olivier Innocenti’s compositions and Laïs Foulc’s lighting frame a powerful, poetic investigation of collective and intimate corporeality.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
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