Jonathan Dove’s opera adapts the tales The Enchanted Pig and The Brown Bear of Norway into a tender, witty musical fable. Directed by Joan Mompart and translated into French by Sabryna Pierre, the production blends cardboard and pixel-art scenography with a sensitive score to tell Flora’s journey — condemned to marry a pig who is an enchanted prince — aided by the North Wind, the Moon and the Sun. Themes include fate, free will and the clairvoyance of the heart.
In French.
Two retired clowns revisit moments from their lives with mischievous tenderness and a sharp, critical eye. The piece unfolds as a series of rapid transformations—each reinvention arriving every three minutes—blending physical comedy, memory and gentle satire. The performers invite laughter through self-mockery and shared recognition, balancing fragility and spirited resilience. Staging privileges rhythm and gesture, creating a warm, bittersweet atmosphere that observes the world through playful yet clear‑eyed humour.
In French.
Formed in San Diego in 2019 by Sal Samano, Alex Garcia and Josh Lane, Thee Sacred Souls revive classic R&B, doo‑wop, gospel and 60s–70s Chicano soul with a warm groove and three‑part vocal harmonies. Their Daptone Records releases and a viral Tiny Desk appearance brought wide acclaim and endorsements from artists such as SZA and Alicia Keys. On stage they blend vintage arrangements and contemporary sensibility, conjuring close‑knit nostalgia, smoky textures and heartfelt, danceable warmth.
Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.
Conceived and directed by Ágnes Havas, this itinerant festival combines cycle-tourism with a rich musical programme. Concerts range from classical and baroque to opera and jazz, presented across lakeside stages that dialogue with the landscape. The project foregrounds sustainable cyclo-tourism and cross-border artistic cooperation, pairing performances with local gastronomy. Lighting and acoustic choices favour intimacy and clarity, while artists of international calibre create moments of contemplative lyricism, conviviality and sensory immersion around the rhythms of the lake.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.
In French.
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