La Bâtie Festival celebrates its 50th edition from 25 August to 13 September 2026! Over three weeks, theatre, dance, concerts, performances, circus and parties will take over venues across Geneva and the region. This anniversary edition also introduces Le Béaba, a new open-air hub at the Musée Ariana, bringing together free events, performances and concerts in a lively, convivial setting.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Festival Sey’maz Musique invites the community to a lively four-day celebration of classical and contemporary music. The program blends chamber concerts, organ recitals, solo performances, electro-acoustic pieces and activities for young audiences, offering accessible and demanding repertoire presented in historic and cultural settings. Families, neighbours and music lovers of all backgrounds are welcome to come together, share experiences and discover new sounds through collaborative performances and participatory moments that foster connection and belonging.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
Neverland is a chamber opera directed by Julien Chavaz with music by Sarah Nemtsov and performed with Ensemble Contrechamps. The piece inverts the Peter Pan myth, presenting an unsettling child who refuses to grow and becomes trapped in a frozen eternity. Nemtsov’s score blends whispered voices, dense orchestral textures and electronic fragments to shape a fragile, tectonic sound world. Staging, lighting and costumes transform a shifting house where memory, fear and metamorphosis are embodied.
Swiss mezzo-soprano Marina Viotti and American pianist Todd Camburn form a close musical partnership, presenting a programme that juxtaposes Wagner’s Wesendonck Lieder with Chausson’s Poème de l’amour et de la mer. The recital also includes Duparc’s intimate mélodies, Poulenc’s nuanced songs and a brief solo piano Improvisation, plus chansons by Jacques Brel and Léo Ferré in an arrangement by Guy‑François Leuenberger commissioned for the occasion. Gregory Rauber provides a contextual introduction. The evening unfolds with oceanic textures, luminous phrasing and intense lyric intimacy.
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
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