On a triple bill by the Ballet Junior de Genève, three new works unfold: Yuval Pick’s Revoada, Émilie Leriche’s sad game and Sharon Eyal & Gai Behar’s Untitled Black. The company moves with collective intensity, shifting between taut physicality and lyrical surges. Pick teases singularity through vibrant movement, Leriche propels the dancers into precise, breathless lyricism, and Eyal/Behar impose a hypnotic, technically demanding finale. The evening is charged, communal and viscerally alive.
An open-air musical gathering bringing together musicians across blues, rock, pop and Latin traditions. Performers trade improvisation and tight arrangements as warm evening light and the slow descent of the sun shape the sound. The programme moves from intimate acoustic textures to high-energy electric sets, with vocalists and instrumentalists creating moments of communal celebration and introspection. The event favours conviviality and sensory richness, where rhythm, harmony and the taste of local wines mingle to form a relaxed, festive atmosphere.
An exuberant late night tribute to Frank Zappa presented in collaboration with the Montreux Jazz Artists Foundation. The evening opens with the playful collective 200 Zappas, followed by a focused homage from Swiss trio Steamboat and the inventive Geneva sextet L’Osmose. DJ Zemzem closes with an eclectic, groove driven set that threads improvisation, rock, and avant jazz into the night. Expect virtuosic performances, spirited reinterpretations and a bold, genre bending atmosphere.
Frank Zappa’s opera “200 Motels” is showing in Switzerland for the first time. This dynamic musical-theatrical piece is brought to life by director Daniel Kramer and conductor Titus Engel, featuring an impressive and diverse cast, including Robin Adams, Brenda Rae, and legendary guitarist Mike Keneally. Known for his iconic rock career, Zappa presents an experimental and psychedelic work that blends opera, rock, and contemporary classical music. “200 Motels” offers a chaotic and extravagant journey across the United States, mirroring the wild lives of Zappa and the Mothers of Invention.
In English with French subtitles.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
After 13 years, the duo The Dreams — Armelle and Nafi — return to the stage with a brief reformation revisiting songs from Heimat, Noir Boy George, Crack und Ultra Eczema, Badaboum, Scorpion Violente and Le Chômage. Their sound blends cold‑wave textures with tropical grooves and reggae undertones, evoking connections to Suicide, Slits, Sonic Youth, Bob Marley and The Police. Their sole album Morbido (2011), reissued by Replica Records/La face cachée, frames a dark, luminous minimal pop.
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