Ana Carolina Sargenti presents drawings, paintings and sculptural elements that examine the processes used to identify people who disappeared during Argentina’s last dictatorship.
Using charcoal portraiture, engraved layers of earth, watercolour impressions and plaster forms, her practice navigates appearance and erasure. Works range from material excavations to subtle removals of surface—charcoal portraits created by subtracting from black reserves, and landscapes shaped from layered earth—probing memory, territory, disappearance and the reconstruction of collective traces.
