Yèfira explores musical routes between the Aegean and the Black Sea in an intimate concert blending traditional melodies, modal rhythms and contemporary arrangements. Their sound evokes coastal landscapes, ritual dances and poignant vocal lines, framed by close interplay between strings and winds. The programme maps a cultural journey across borders, mixing haunting timbres and driving rhythms to create an atmospheric, immersive experience rooted in regional traditions.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
Discover Late Company, a powerful and thought-provoking play by Jordan Tannahill, directed by Charles Slovenski.
This gripping drama explores the emotional aftermath of cyberbullying, as two families come together for an uneasy and deeply human confrontation. Through sharp dialogue and intense performances, Late Company invites audiences to reflect on responsibility, forgiveness, and the impact of our actions in a digital world.
In English.
Directed by Claude Vuillemin, Yasmina Reza’s Trois versions de la vie assembles four performers, Laurent Deshusses, Marie Druc, Sophie Lukasik and Nicolas Rossier, in a taut, virtuosic staging. Lighting by Rinaldo Del Boca and costumes by Sylvie Lépine shape shifting domestic realities as the play probes how social veneer fractures intimate relationships. This production by Les Amis – Le Chariot demands precision and emotional nuance from its cast.
In French.
Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.
In French.
Choreographer Marcos Morau unveils Svatbata, a world premiere for the Grand Théâtre de Genève. This work brings together the theater’s ballet troupe to delve into the rituals and concept of marriage, drawing inspiration from Bulgaria’s unique position as a bridge between East and West. Through choreographic movements that blend human sounds and gestures, the piece offers a contemplation on life, death, and the rituals connecting them, while celebrating the universality and depth of collective traditions.
Quatuor Zaïde plunges into Schubert’s luminous yet tormented world with a programme of three cornerstone works that reveal the Romantic composer’s emotional depth: the quartet Death and the Maiden, the song-cycle-inspired Le Roi des Aulnes and Quartet No.13 “Rosemonde”. The string quartet, acclaimed for its finesse and intensity, shapes a suspended experience at the border between dream, pain and beauty, drawing out lyrical lines, dark undercurrents and intimate dialogue among the voices.
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