Quatuor Zaïde plunges into Schubert’s luminous yet tormented world with a programme of three cornerstone works that reveal the Romantic composer’s emotional depth: the quartet Death and the Maiden, the song-cycle-inspired Le Roi des Aulnes and Quartet No.13 “Rosemonde”. The string quartet, acclaimed for its finesse and intensity, shapes a suspended experience at the border between dream, pain and beauty, drawing out lyrical lines, dark undercurrents and intimate dialogue among the voices.
Co-created by Pascal Gravat and Julien Mages for Compagnie Revolver, “Nu Vite” (Naked Quickly) is a choreo-biography in which a dancer and an author probe time, ageing and the urgent need to seize each instant. The work blends intimate movement and written testimony, set to music by Pierce Warnecke with sound design by Clive Jenkins and lighting by Alessandra Domingues. The 75‑minute performance explores memory, bodily change and the delicate rhythm between presence and loss.
In French. Adults only (17+).
Performed by six dancers and accompanied by a live musician, A l’aune invites a slow choreographic promenade through the re-vegetated spaces of the Aire. The work examines ecosystems, adaptability and interdependence via intimate group interactions and material, site-conscious movement. The staging cultivates close listening between bodies and sound, producing a tactile, contemplative atmosphere that reflects cycles of growth, decay and mutual care.
Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.
In French.
Led by Geneva-based musician Yaël Miller, Rhizomes is an ensemble that weaves contemporary folk, world music and poetic song into a porous musical fabric. With voices and synths (Yaël Miller, Donia Berriri), bass (Thomas d’Arbigny de Chalus), electric guitar (Thomas Caillou) and drums/effects (Roland Merlinc), the group blends intimate electronics and earthy rhythms to probe themes of internal exile, belonging, memory, transformation and resilience. Performances favour delicate textures and sudden surges, creating a warm, immersive atmosphere that invites attentive listening.
Marking its 20th anniversary, Fête de la Danse transforms the city into a stage, presenting almost forty professional shows, community showcases and dozens of introductory classes. The program moves between poetic promenade pieces and exuberant street choreographies, including a river parade following the Rhône and waterfront performances that marry movement and public space. Community projects — like the flash‑mob Lovons‑nous joyeusement! in partnership with Cité Seniors — foreground participation, conviviality and accessibility, celebrating dance in its many forms.
Amour(s) is a production by Compagnie lesArts that delves into the various dimensions of love through testimonies, stories, and writings. Directed by Tony Romaniello, this collaborative creation combines documentary theater with performances by Laurent Baier, Christian Baumann, and Stella Giuliani. The set design is by Célia Zanghi, with lighting design and management by Yannis Marti.
In French.
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