Jeff Panacloc returns with a darkly comic variety show that blends absurd characters, sharp satire and physical comedy. The evening unfolds as an imagined tour of a mysterious ‘Company’ led by Panacloc, where each eccentric performer reveals a different facet of chaotic humour and theatrical surprise. Expect quick-change sketches, puppetry-inflected interactions and a playful, subversive tone that mixes outrageous gags with a surprisingly human touch.
In French.
Alto saxophonist Maurice Magnoni presents iNiT, a 60-minute solo improvisation that traces an intimate study of intuition and sound. Drawing from years of spontaneous practice, Magnoni sculpts raw fragments into evolving textures, balancing controlled motifs with moments of chaotic release. Sparse silence and dense multiphonics create a shifting acoustic landscape, while attentive micro-phrasing and dynamic shading invite close listening. The piece foregrounds process over form, offering a concentrated, immersive musical journey.
Trois femmes au bord de la crise de mère is a poignant theatrical exploration of motherhood, identity and frustration. Through intimate dialogues and heightened physicality, the piece balances sharp humour with moments of quiet intensity. Sparse staging and focused lighting carve out private spaces that reveal hidden desires and generational tensions. The ensemble’s interactions shift between satire and tenderness, inviting reflection on daily labor, emotional limits and the resilient bonds that hold family life together.
In French.
Set in Paris, 1897, this spiritist improvisation centres on Natalia Fox, a darkly sensual tarot reader and pendulum expert whose séances blur psychology and the uncanny. Each performance stages four intimate consultations for eccentric clients, letting improvisation shape revelations conjured by incense, whispered voices and flickering light. The show moves between sly comedy and unsettling insight, exploring fate, desire and the mechanics of belief while inviting the audience into a charged, sensory ritual.
In French.
Feu au lac ! stages a trio of political puppet pieces that resurrect little-known episodes of Romandy’s social history. Combining rod puppets, archival fragments and live music, the performance balances sharp satire and warm humanity. Conceived from a short piece shown during Cabaret en chantier 2024, the triptych revitalizes political marionette theatre while offering a rhythmic, musical staging that sparks reflection and collective energy. The creative approach foregrounds material histories and the power of popular resistance.
In French.
Spiritist, improvisatory theatre that unfolds like a forbidden confession. In a bare room lit by pale light, a former asylum director faces the camera and speaks in a voice at once calm and unnerving. Memory, guilt and hallucination interlace as fragments of institutional history—erased files, unclaimed patients—resurface and unmake narrative coherence. The staging relies on sparse set and stark lighting to heighten claustrophobic intimacy, inviting a slow, disquieting immersion in the uncanny.
In French.
A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.
In French.
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