15 June – 31 July

Memories and Impressions — 60 Years of Swiss Archaeology in Sudan

Through archival photographs, site plans and excavation notebooks, this exhibition traces sixty years of Swiss archaeological research in Sudan, from the fourth millennium BCE to the Meroitic era. It presents work conducted at Tabo, Akasha, Kerma — including the Deffufa — and Doukki Gel, highlighting discoveries, field methods and the material traces of long-term study.

Boulevard Carl-Vogt 66,
1205 Geneva
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To mark 30 years of Hortus Botanicus Helveticus, this exhibition presents the diversity and conservation work of Swiss botanical gardens through thirty panels. Each display showcases living collections and highlights the scientific, conservation and educational roles gardens play in safeguarding plant biodiversity. The presentation combines photographic and interpretative elements with botanical specimens to reveal how gardens document, protect and communicate the value of plant life.

28 May – 17 July

Eleven Brazilian artists spanning the twentieth and twenty-first centuries engage in a group exhibition that examines how form is inhabited by belief systems, memory, ritual and everyday experience. Through painting, sculpture and assemblage, the works trace dialogues between modern and contemporary practices shaped by Afro‑Brazilian religions, Indigenous cosmologies and vernacular knowledge. Materials range from painted canvases and carved works to found objects and textile interventions, revealing layered narratives of lineage, syncretism and embodied memory.

11 – 30 June

Momar Seck presents a series of drawings that accompany his new monograph Poïétiques. Through delicate studies of foliage, roots, textures and organic forms, Seck explores the invisible links between matter, nature and emotion. His sensitive visual language oscillates between close observation and inner poetics, inviting the viewer to slow down and perceive the subtle traces left by time, the earth and the breath of life. The show establishes a dialogue between image and writing.

Opening and book signing on 11 June at 18:30.

28 May – 11 July

Song Ruijin presents her first institutional solo exhibition, assembling a new series of paintings and ceramic sculptures within a site-specific installation. She constructs an unstable universe where the sky becomes ground and interior merges with exterior, populated by emoji-like figures that reflect individual alienation and the absurdities of digital capitalism. Through a syncretic visual language of accumulating imagery—sometimes comforting, sometimes unsettling—her sensory installations reveal logics of exploitation and control affecting human and non-human actors.

Opening: Thursday 28 May, 18:00

28 April – 30 July

Fertile Hybridations explores the many forms of encounters and interweavings between humans, non-humans, knowledge systems, and temporalities.
Visitors are invited to inhabit the space, to question, to connect with these artist-researchers and designers, and—like them—to attempt to engage in dialogue and move beyond anthropocentrism, the idea that humans are at the center of everything. Instead, the exhibition encourages recognizing forms of intelligence or agency in other species, and building new relationships and exchanges.
Through this evolving exhibition, enriched by the intersection of art, design, and science, HiFlow becomes a living laboratory—a space for fertile alliances…

Meeting: Tuesday 16 June, 9:00 – 13:00 (in French)

7 March – 16 August

Carlos Schwabe’s retrospective traces the symbolism and pictorial imagination that defined his practice. Trained in Geneva, Schwabe is celebrated for evocative book illustrations and ambitious pictorial compositions that blend allegory, myth and musical ideas. The exhibition presents paintings, illustrations and preparatory drawings drawn from public and private Swiss and French collections, exploring technique, materiality and the spiritual and literary currents that shaped his visual language around the turn of the twentieth century.

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