Choreographed by Raphaële Teicher and performed by Marthe Krummenacher, this 20-minute dance responds to the haunting imagery of Carlos Schwabe’s La Vague. The piece weaves fluid solos and taut, sculptural gestures within an intimate soundscape to probe themes of memory, mourning and metamorphosis. Lighting and a minimal set carve shifting shadows that echo the painting’s symbolism, creating a concentrated, contemplative atmosphere in dialogue with the exhibition.
The Bande J of Cie Acrylique Junior presents a show at La Parfumerie, delving into a polluted world where poetry arises from waste. Directed by Léon Boesch and Lucien Thévenoz, the production features costumes by Spooky Dolls Surgery and is managed by Evelyne Castellino and Lino Eden.
In French.
Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.
In French.
Spiritist, improvisatory theatre that unfolds like a forbidden confession. In a bare room lit by pale light, a former asylum director faces the camera and speaks in a voice at once calm and unnerving. Memory, guilt and hallucination interlace as fragments of institutional history—erased files, unclaimed patients—resurface and unmake narrative coherence. The staging relies on sparse set and stark lighting to heighten claustrophobic intimacy, inviting a slow, disquieting immersion in the uncanny.
In French.
Feu au lac ! stages a trio of political puppet pieces that resurrect little-known episodes of Romandy’s social history. Combining rod puppets, archival fragments and live music, the performance balances sharp satire and warm humanity. Conceived from a short piece shown during Cabaret en chantier 2024, the triptych revitalizes political marionette theatre while offering a rhythmic, musical staging that sparks reflection and collective energy. The creative approach foregrounds material histories and the power of popular resistance.
In French.
Metin & Kemal Kahraman are two brothers who have shaped socially engaged folk music for over thirty years. Their work, presented by NovaVibe Creative, is rooted in memory, exile and struggle, blending musical simplicity with intense poetic expression. On stage their voices and restrained arrangements foster intimate yet powerful encounters, where emotion, dignity and political commitment converge. The performance moves between quiet reflection and surging resolve, inviting listeners into a shared space of remembrance and solidarity.
Trois femmes au bord de la crise de mère is a poignant theatrical exploration of motherhood, identity and frustration. Through intimate dialogues and heightened physicality, the piece balances sharp humour with moments of quiet intensity. Sparse staging and focused lighting carve out private spaces that reveal hidden desires and generational tensions. The ensemble’s interactions shift between satire and tenderness, inviting reflection on daily labor, emotional limits and the resilient bonds that hold family life together.
In French.
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