La Keloke is an immersive Latin music night conceived by Rytm that blends urban Latin sounds—reggaeton, Latin trap and dembow—with traditional rhythms such as salsa, bachata and merengue. Expect a warm, dance-focused atmosphere where DJs and live percussion create continuous grooves tailored for social dancing. The programming favors rhythmic interplay and communal energy, with moments of call-and-response and high-energy floorwork. A festive sharing menu will be available on site.
Ensemble BOW’s string quartet reimagines Vivaldi’s Four Seasons through Max Richter’s contemporary lens. The four soloists alternate between Vivaldi’s vivid baroque textures and Richter’s cinematic, ambient reconstructions, creating a dialogue across centuries. Sparse, resonant phrasings and close ensemble interplay expose echoes of memory and seasonality, while dynamic shifts and refined tonal colour invite immersive listening. The programme blurs tradition and modernity, balancing structural clarity with atmospheric, cinematic sonorities.
Performed by Camélia Acef and Youri Rebeko, La tête ailleurs is a light, comic musical about Norah, who can’t help hearing songs in her head whenever she tries to concentrate. The piece slides between Broadway-classic, funk, pop and tango, treating the intrusive melodies as a playful yet unsettling manifestation of the unconscious. The staging balances energetic numbers and intimate moments, probing memory and identity. The show was nominated at the 2025 Trophées de la Comédie Musicale (Best Book; Revelation Masculine for Youri Rebeko).
In French.
Conceived by Jacques Gay, this new musical comedy unravels a dinner full of twists where the secret lives of the guests surface by chance. An ensemble cast shifts between comic timing and sudden poignancy, carried by an original score and witty lyrics. The staging trades realism for theatrical invention, with clever scenic shifts, expressive lighting and playful costume moments that heighten social masks and misunderstandings. The result is frothy yet incisive, a night of laughter threaded with unexpected tenderness.
In French.
Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.
Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?
In French. Ages 12 and up.
Christian Mukuna, a comedian and actor of Congolese origin, takes the stage at Théâtre Les Salons with his latest show. Performing solo, he humorously reflects on the passage of time and the concept of “last times.” Known for his role on RTS and appearances in various short films, Mukuna uses humor as a tool to tackle sensitive topics like racism. Directed by Gaspard Boesch, this performance offers a witty and insightful take on our everyday quirks.
In French.
Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.
In French.
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