Don Carlos, a reggae legend from Western Kingston with a career dating back to 1973 and a former member of Black Uhuru, leads an evening of melodic roots reggae. He performs with Dub Vision, while GEO & the Upright Ones — Don Carlos’s son and an emerging artist — presents new material drawn from the album “New Horizon”. The set balances classic roots rhythms, soulful vocals and warm dub textures, offering a timeless and intimate musical experience.
“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.
In French.
Led by a string quartet featuring violinists Cécile Carrière and Girolamo Bottiglieri, violist Frédéric Carrière and cellist David Poro, this lunchtime concert presents Beethoven’s String Quartet No.7 (Op.59 No.1) within an intimate series showcasing musicians from the Geneva Chamber Orchestra. The performance emphasizes clarity of texture and close ensemble dialogue, offering a relaxed, luminous listening experience where interplay and phrasing bring out the work’s dramatic contrasts and warm lyricism.
Since its founding, La Fanfare du Loup has served as a musical laboratory where diverse traditions and practices meet. For this project the ensemble invites Finnish saxophonist and composer Esa Pietilä, whose exploratory voice reframes genre boundaries. The large ensemble, including Christophe Berthet (sax), Théo Duboule (guitar), Aïda Diop (percussion), Marie Mercier (clarinets) and others, trades tight horn figures, shimmering textures and improvisatory flights, creating dense, evolving soundscapes that blend composition and collective spontaneity.
Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.
In French.
Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.
Based on Svetlana Alexievitch’s book, this choral theatre piece gathers and amplifies the testimonies of women who fought in World War II. Directed by Julie Deliquet, it is performed by an all-female ensemble — Julie André, Astrid Bayiha, Évelyne Didi, Marina Keltchewsky, Odja Llorca, Marie Payen, Amandine Pudlo, Agnès Ramy, Blanche Ripoche and Hélène Viviès. The staging combines intimate testimony and rigorous theatrical composition to evoke trauma, memory and resilience, framed by translations and a stage version crafted with sensitivity.
In French.
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