Jazz Night: Groove Party invites you to an evening where you take the stage. Saxophonist Léon Phal and his Geneva-based companions present a groove set infused with influences ranging from dub to French touch.
Jazz Night: Groove Party invites you to an evening where you take the stage. Saxophonist Léon Phal and his Geneva-based companions present a groove set infused with influences ranging from dub to French touch.
Carminho, one of the most renowned fado singers, will perform at Victoria Hall for a special evening celebrating The Great Voices of Fado. As a true heir to the fadista tradition and daughter of Teresa Siqueira, Carminho captivates with her modern sensibility while preserving the essence of fado. Known for her collaborations with artists like Rosalía, she brings remarkable cultural fusions to the stage. Her powerful vocals and commanding presence promise a unique experience, ensuring an unforgettable evening that melds tradition with modernity.
Choreographer Laurence Yadi presents a new creation for young audiences after a residency in Bali. This dance solo, titled “Silahkan” (meaning “please” in Balinese), invites audiences on a journey filled with humor, poetry, and emotion. The performance unfolds within a constantly transforming set where ordinary objects turn into something extraordinary. It reveals a magical world of tales inhabited by princesses, gods, demons, and warriors, exploring the wonders and mysteries of a distant journey.
Kids ages 6 and up.
Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.
In French.
Led by London-born pianist Dave O’Brien, newly based in Geneva, this quartet presents a varied programme of original, rhythmically propulsive compositions alongside reworkings of Punch Brothers and Duke Ellington. With Manu Gesseney on saxophone, Pierre Balda on double bass and Ibrahim Terkemani on drums, the group blends folk-inflected lyricism, modern jazz harmonies and cinematic textures inspired by Tigran Hamasyan, Chick Corea and Avishai Cohen. Expect close, improvisational interplay, dynamic shifts and a warm, tactile sound that moves between intimacy and expansive momentum.
Revived by director Ninon Fachard after the original staging by Véronique Ros de la Grange, this solo piece stars Jacques Michel with Caroline Gasser as the prompter. Lighting by Rinaldo Del Boca and music by Alain Lamarche carve intimate, shadowed spaces around a red sequined curtain. Makeup by Natalia Lepianka and costumes by Emilie Revel shape the fading glamour of a music‑hall star who soliloquises, recalls past glory and loss, and sings in playback—an inward plunge toward memory and survival.
In French.
Emma Saba and Jeanne Pâris revive the lyric repertoire in a subversive, celebratory performance. Playing with time and inheritance, Saba reworks early arias into electric fragments, laughter and amplified sighs. The piece interrogates the politics of the voice as opera sheds its white pageant to become raw material, desire, anger and tenderness. Part performance, part concert, Jalousie des tempêtes stages a ritual of dismantling and rejoicing, where vocal technique meets bodily intensity and theatrical invention.
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