21 – 23 April

Oh dear, how do we deal with vanished sparks?

Victor Delétraz’s solo investigates image and the moving body across past, present and future, probing the vulnerability of human pursuits and the tension between hidden and visible. Video interweaves with choreography, found objects, light, sound and text to create a fragmented, anachronistic structure where multiple voices, at once comic, cartoony, political and dramatic, collide. The presentation, framed within the festival C’est déjà demain, emphasizes exploration and the beginnings of artistic form.

Place de la Madeleine 1,
1204 Genève
{"title":"Oh dear, how do we deal with vanished sparks?","description":"\u003Cp\u003EVictor Del\u00e9traz\u2019s solo investigates image and the moving body across past, present and future, probing the vulnerability of human pursuits and the tension between hidden and visible. Video interweaves with choreography, found objects, light, sound and text to create a fragmented, anachronistic structure where multiple voices, at once comic, cartoony, political and dramatic, collide. The presentation, framed within the festival C\u2019est d\u00e9j\u00e0 demain, emphasizes exploration and the beginnings of artistic form.\u003C\/p\u003E","start_date":"2026-04-21","end_date":"2026-04-23","date":"21 - 23 April","timings":[{"timing_start_date":"20260421T183000Z","timing_end_date":"20260421T193000Z"},{"timing_start_date":"20260422T201500Z","timing_end_date":"20260422T211500Z"},{"timing_start_date":"20260423T191500Z","timing_end_date":"20260423T201500Z"}]}
Photo Credit: © Laurent Fiorentino

You might also like

12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

12 March – 7 May

Ernest Pignon-Ernest, born in 1942 in Nice, is considered one of the pioneers of street art. Through life-sized charcoal drawings pasted directly onto city walls, he creates powerful encounters between his human figures and the urban spaces they inhabit. Deeply engaged with social and political issues, his work reflects historical and contemporary struggles while maintaining a strong poetic and human presence.

Opening during the Nuit de Bains on Thursday 12 March at 18:00.

4 October 2025 – 23 May 2026

The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

12 March – 14 May

Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.

Opening during the Nuit des Bains, Thursday 12 March, 18:00

26 March – 8 May

Natalia González Martín presents eleven new oil paintings on panel that extend her sustained engagement with still life. Drawing on the visual language of Baroque and Counter-Reformation masters such as Juan Sánchez Cotán and Francisco Zurbarán, the works turn toward the ritual of sobremesa — the suspended time after a meal — and consider it as a gendered social space. Set against tenebrist backgrounds, plates, fruit, glasses and fragments of bodies emerge to reorient still life from display and possession toward duration, relation and the often-invisible labour of togetherness.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Date

Title

Location

Description

calendar placeholder

Reset password

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Forgot your password?

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Sign Up

Create your Account and Culture Up!