Astéréotypie and Orage share a double bill that contrasts angular post‑punk and textured noise with melancholic, feverish pop rock. Astéréotypie presents their latest album “Patami”, born from a collective poetry workshop and marked by abrasive electronics and layered atmospheres. Orage, the project of Alexandre Inglebert, explores intimate melodies and tense, emotive guitar work ahead of a forthcoming EP. The evening privileges raw intensity and lyrical depth.
In French.
Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.
In French.
In early January 2022, two construction vehicles belonging to a Swiss multinational were set on fire at a gravel pit in the Geneva countryside. Over a year later, a young man — referred to as Jérémy — was arrested and suspected of involvement in the arson. Held in pre-trial detention, he was released after more than three months, following strong public support and mobilization.
L2B, a rap trio from the outskirts of Paris, will electrify the Alhambra with their high-energy and generation-defining anthems. Consisting of IDS, KLN, and D2, this group has evolved from humble beginnings to a phenomenon in French rap. Their on-stage chemistry and the authenticity of tracks like “Pélican” and “Amis d’enfance” continue to captivate a growing audience. Don’t miss this exceptional concert at the Antigel festival!
Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
At La Parfumerie, “VERTIGES” by Catherine Tinivella Aeschimann takes us to the base of the Eiger’s north face, where five tourists follow the climb of mountaineer Ueli Steck. Turning simple observation into an intense immersion, they experience the emotions of Steck and his partner. This piece, a blend of sports commentary and alpine storytelling, delves into our connection with achievement and performance, while also recalling the ghosts of the Eiger’s victims. Directed by Tamara Fischer, this show offers a communal and introspective experience.
In French.
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