What does humanitarian action actually look like? Personal stories, objects and immersive installations bring visitors face-to-face with questions of dignity, displacement, family and resilience. The permanent exhibition is currently evolving towards a completely redesigned experience in 2028 — and remains open throughout the process.
Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.
Five thousand years of ideas on paper — and beyond. Manuscripts, first editions, papyri and rare books trace the history of human thought and writing, from ancient civilisations to modern literature. Shakespeare, Goethe and countless other voices meet in Mario Botta’s striking underground museum.
Curators Ghalas Charara and Rita Elhajj present the second part of a two‑part exhibition that shapes a liminal space between listening and gesture. Through acts of defunctionalization, duplication, displacement, fragmentation and sabotage, the participating artists generate potentials for action and reclaim rhythmic breaths, steps and voices. Works from the host collection sit alongside invited pieces to evoke survivance, mourning and resistance, where memory becomes an embrace enacted by bodies searching for—sometimes finding—ancestral gestures through repetition, dance and semantic shifts.
Opening: Thursday 17 September, 18:00
German artist Olaf Holzapfel presents a body of work that quietly investigates landscape, architecture and vernacular traditions. Working across sculpture, drawing, painting and installation, he foregrounds materiality and craftsmanship, transforming humble materials into structures that mediate between nature and the built environment. The works trace textures of memory and labour, proposing subtle dialogues between form and site. The exhibition emphasises process and making, inviting sustained attention to material relationships and artisanal techniques.
Opening: Thursday 17 September, 18:00
Hydromondes, a multidisciplinary collective, presents a two‑year field investigation into Lake Geneva through visual and narrative works. Combining art, science and activism, the group brings together architecture, theatre, hydrology, popular education, landscape design, biology, music, ethnography and engineering to produce mixed-media, research-driven installations and documentary narratives. Drawing on dialogues with local residents and ecological knowledge, the works examine water infrastructures, cultural imaginaries and governance, proposing experiments that reveal and question our relationships with the lake.
Artists Ana D and Noora K present a dreamlike photographic project probing transparency, memory and perception. Through layered photographs, lenticular prints and sculptural extensions of the image, the duo uses superposition, diffusion and formal alteration to reveal overlapping temporalities and interior images.
The works deploy spatial configurations where fragments of lived experience shift, associate and recombine, positioning photography as a territory of projection and transformation. Curated by Myriam Bongard‑Stadler, Dreams navigates the border between sleep and wakefulness.
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