An evening in three parts showcasing emerging jazz and electro-acoustic projects. Louis Billette’s 6tet plays generous, jubilant and comforting modern jazz with a pronounced groove. Mohs, featuring Fanny Martin, blends acoustic instruments and electronic effects to shape powerful, luminous soundscapes. Arthur Hnatek, joined by Sophie Le Meillour, unfolds an audiovisual set that oscillates between electronic music, contemporary drumming, improvisation and club-like energy.
Two Point Oh is an electric drama-comedy that probes love, loss and the unsettling presence of artificial intelligence. The staging blends sharp dialogue, moments of dark humour and pulsing audiovisual design to blur boundaries between human memory and digital simulation. Performers navigate intimate emotional terrain while the production explores grief’s persistence in a technologised world, alternating tenderness and bite to leave audiences both moved and unsettled.
In English. French subtitles.
Balades Théâtralisées invites audiences on an outdoor theatrical promenade that uncovers hidden city histories through staged scenes in natural settings. The troupe blends guided narration with short dramatic tableaux, favouring emotional resonance over strict historical reenactment. Soundscapes and simple lighting sculpt nocturnal and intimate atmospheres, while performers shift between storytelling and embodiment. The route alternates between the company’s traditional itinerary and a new underground-themed walk, creating a layered experience of memory, surprise and communal discovery.
In French.
Produced by Village du Soir, Nostalgia & Disco XXL gathers headline artists Gala, Boney M, O-Zone, Helmut Fritz, Lââm and Matt Houston in an immersive retro-concert and dance night. Spectacular scenography and dynamic lighting designs frame live performances and DJ sets, while costume-driven visuals and neon aesthetics revive 80s–2000s pop culture. The program balances communal sing-alongs with club energy, inviting collective euphoria through layered sound and kaleidoscopic staging.
Festival du Soir marks a ten-year anniversary with a sprawling program across multiple themed nights, from electronic showcases to Latin‑infused celebrations and disco revival spectacles. Curated lineups bring artists such as Paul Kalkbrenner, GIMS, Gala, Boney M., O‑Zone, Mind Against and others into conversation, folding live concerts, club sets, fairground theatrics and immersive installations into one nocturnal tapestry. The production favours large‑scale scenographies, kinetic lighting and pulsating soundscapes that shift between euphoria and intimacy.
Choreographer and performer Geumhyung Jeong presents a double programme that probes the uneasy alliance between the human body and surrounding objects. Combining contemporary dance, performance, puppetry and visual art with a long-running interest in robotic sculptures, she revisits works in a conference-performance, Toy Under Development, before performing Find Select Copy and Paste. Stripping movement of its props — even appearing naked as a deliberate “costume” — Jeong reconfigures gestures to blur animate and inanimate, creating an intimate, uncanny ritual.
Led by Maestro Boudchart, this concert presents a fluid musical journey blending original compositions with beloved classics and contemporary Arabic hits, alongside timeless Western melodies. The programme balances virtuosic solos and ensemble passages, inviting attentive listening and shared moments of emotion. The evening foregrounds interaction with the audience, shaping dynamic interpretations that bridge cultural traditions and modern sensibilities. Intimate yet expansive, the performance highlights melodic richness and rhythmic nuance.
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