Videos by Óscar Muñoz (Colombia) and Vindhya Buthpitiya (Sri Lanka)
The Alexei Jaccard Mural serves as a space for remembrance and contemplation on human rights and enforced disappearances. The inaugural exhibition, “Residual Images of Forced Disappearance,” delves into this theme with photographic works that highlight the fragility of memory while exposing absence and emptiness. These paradoxical and poetic images transform into areas of resistance against violence.
Pleasing the Spirits invites you on a journey through the Barbier-Mueller Collection, showcasing artworks from around the globe. Curated by Séverine Fromaigeat and Paul Maheke, the exhibition offers an open-ended exploration of diverse objects, awakening spirits and uncovering territories to discover.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
Niels Hung, a graduate of HEAD–Genève, investigates his multicultural identity through painting shaped by American and Asian visual cultures. His works—repainted canvases and mixed-format paintings—often reappropriate images found online and in the street, interrogating contemporary image production and its slipperiness. Employing layered pictorial strategies and referential iconography, Hung stages a critical dialogue that oscillates between fascination and critique. He also joined the Work.Master teaching team in 2024 and engages with questions of artistic production and the artist’s condition.
The International Red Cross and Red Crescent Museum presents the Prix Art Humanité, featuring works by five HEAD – Genève alumni exploring themes of sharing, engagement, and humanity. The exhibition also includes the first International Prize, by Lebanese artist Mohamad Khamis. Visitors can vote for their favourite project, with the Public Prize awarded during the ceremony.
The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.
In Soft Gravity, Domum delves into the materiality and sensuality of forms through a multitude of contemporary voices in design and creation. Imagined as a sensitive constellation, the exhibition showcases suspended, fleshy, and sculptural shapes that intertwine. It invites visitors to an experience that balances between fragility and strength, memory and presence.
Opening: Thursday 13 November, 18:00 – 21:00
Please adjust your criteria to see more results.
Event removed from your CoolAgenda.
Your password has been reset successfully. You can now log in with your new password.
We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.
Please check your inbox for a verification email to complete your sign-up.
