The Orchestre des Nations (ODN) celebrates its 15th anniversary at Victoria Hall with a special anniversary trilogy. Conducted by Antoine Marguier, the program features Mozart’s “The Marriage of Figaro” overture, Beethoven’s Symphony No. 5, and Brahms’ Violin Concerto performed by Clarissa Bevilacqua.
The 133rd edition of Geneva’s iconic satirical show, La Revue Genevoise 2025, takes place at the Casino-Théâtre before its renovation. Blending musical comedy, songs, dance, and sharp humor, the Revue playfully revisits local, national, and international news. It promises a festive and witty evening to enjoy with friends, family, or colleagues, celebrating laughter, wonder, and the end of an era at the theater.
In French.
Back from the ashes like a mischievous phoenix, this stage adaptation of Hergé’s timeless comic hurls Bianca Castafiore’s shrill “Heavens, my jewels!” onto the boards and detonates a riotous, closed-door whodunnit inside the tranquil walls of Moulinsart: red herrings fly, misunderstandings snowball and Tintin’s entire gallery of eccentrics careen through a dazzling, hyper-faithful recreation of the album, where actors vanish into near-unrecognisable guises and the set itself crackles with playful theatrical sleight-of-hand—proof that some productions really do possess a magic, living soul of their own.
In French. Ages 7 and up.
Who hasn’t, as a child, woken up in the middle of the night, disoriented, surrounded by mysterious shapes that might be monsters—or maybe friends? “Bachibouzouk”, by the Philippe Saire Company, brings that in-between world to life, blending dance and object theatre in a poetic, twilight performance where imagination takes over once the lights go out.
“To Hell with War!” is a satirical parody of “Ubu Roi” by the Studio d’Action Théâtrale, under the direction of Gabriel Alvarez. Drawing inspiration from Jarry, the performance condemns war as a grotesque and tragic charade. Actors portray absurd characters that lay bare the senselessness and brutality of conflict, staging a macabre dance against destructive capitalism.
In French. Ages 15 and up.
“Bal Impérial – Boléro” seamlessly blends an imperial waltz with Ravel’s mesmerizing Boléro. Created by Sidi Larbi Cherkaoui and Damien Jalet, this work delves into the social and political roots of dance. The first segment, “Bal Impérial,” marks the bicentennial of Johann Strauss by juxtaposing Viennese music with Japanese percussion, all set in an evocative stage design and costumes by Tim Yip. The second segment, “Boléro,” revisits the 2013 choreography, presenting an intense, visceral dance to Ravel’s dramatic crescendo, enriched by artistic influences from Marina Abramović.
Actor Samuel Labarthe turns Nicolas Bouvier’s fever-drenched memoir The Scorpion-Fish into a hypnotic, miniaturist tour de force: marooned in 1950s Ceylon after a headlong road trip from Geneva through the Balkans and Afghanistan, the once-ebullient traveller spirals into tropical delirium, trading human company for buzzing insects, mirage-bright visions and mordant humour that flits between the sublime and the grotesque. Under Catherine Schaub’s finely gauged direction, Labarthe channels both the lush lyricism and the slow-burn torment of this “motionless voyage,” distilling Bouvier’s languid prose into a tactile, rejuvenating elixir that lets the audience feel every bead of sweat, jolt of wonder and sting of isolation.
In French. Ages 12 and up.
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