5 – 8 May

Nations District: Riverside Path

An invitation to an artistic passage, this project transforms a strategic underpass into a painted fresco and links to a shore-side signal installation. The tunnel mural is realised by the Artmur collective (Julien Scalabrino, Tiffany Sibra and Celestin Tanari), while the Signal installation was conceived by Max Bondu with architects Charles Bouscasse and Marion Mouny as part of the Veiller au grain project, self-built in the Bermuda workshops. The works explore movement, thresholds and dialogue with the riverside.

Route de Lausanne 222
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12 March – 9 May

German artist Gerhard Hotter (born 1954) presents a survey of works that unfolds across five decades, exploring play as a mode of learning and experimentation. Early paintings from the 1980s evoke inner labyrinths populated by chess pieces, playing cards and miniature toys; later works evolve into modular constructions inspired by Bauhaus toys, privileging pure form, volume, colour and combinable structures. Hotter employs Langford sequences as compositional tools, situating his practice within concrete art where order becomes an active, playful principle. Recent pieces expand this enquiry through relief, light and spatial interventions.

Opening during the Nuit des Bains, Thursday 12 March, 18:00.

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

7 May – 29 June

Pierre Tal Coat’s practice is examined through his intimate dialogue with the book, presenting around forty illustrated and picture-book collaborations alongside a selection of original works. The exhibition highlights his editorial partnerships with leading publishers and encounters with poets and writers, revealing a visual language where ink, print and image engage in precise, elliptical conversations with text. Works range across periods, tracing shifts in technique, materiality and a restrained yet expressive pictorial vocabulary.

20 April – 8 May

Furious Thinking presents works by Bachelor students from HEAD Genève’s Chroma option, examining the origins of their emerging artistic practice. Blurred memories, endless archives, accumulated collections and the ceaseless image feed converge in a room-like installation of personal effects: mutant PEZ, bigfoot slippers, jewellery, dice, cakes, a bed and stacked plastic chairs, alongside politics, family, distant mountain chants and a few monsters. The exhibition functions as exercise, rehearsal and edition, probing how images wound, soothe and shape authorship beyond the canvas.

Opening : Friday, April 17, 18:00 – 21:00.
Closing : Friday, May 8, 16:00 – 18:00 pm, including a listening session with Henry Rausch. In French

7 May – 20 June

MABE Gallery presents Forza Silenziosa, the second solo exhibition of Sofia Cacciapaglia, whose paintings evoke a quiet, fluid world where forms, bodies, and landscapes gently merge, expressing a soft yet powerful feminine presence rooted in emotion, connection, and subtle energy.

Her work emphasizes transformation, intimacy, and dreamlike atmospheres, where silence carries intensity. Using reclaimed cardboard from her Milan neighborhood, she connects to the ethos of Arte Povera—a movement theorized by Germano Celant and associated with artists like Michelangelo Pistoletto and Jannis Kounellis—by embracing ‘poor’ materials and their histories; however, she diverges through her distinctly figurative and painterly approach, transforming humble surfaces into poetic images that bridge material awareness with narrative, imagination, and contemporary femininity.

Opening: Thursday 7 May, 16:00 – 21:00

5 March – 16 May

Canadian-French artist Sylvie Lambert (b. 1984, Montréal) presents her first solo exhibition, unveiling a new body of work produced predominantly since 2025. Through layered painting, sculptural assemblage and immersive installations, Lambert investigates materiality, perception and the boundary between representation and objecthood. Her practice combines painterly gestures, found materials and discreet colour studies to interrogate memory, embodiment and the politics of surface, inviting sustained attention to texture, scale and fragile systems of meaning.

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