Choreographer Bintou Dembélé and conductor Leonardo García‑Alarcón present extracts from Jean‑Philippe Rameau’s Les Indes galantes, marrying baroque vocal writing with contemporary choreography. Cappella Mediterranea and the Chœur de Chambre de Namur accompany an ensemble of soloists in a staging that favors physical immediacy, rhythmic clarity and dramatic contrasts. The piece revisits colonial and poetic imaginaries through music-dance dialogue, where historical score and modern movement respond to one another.
In French.
