Wamheda blends baile funk and Afrobeat in high-energy sets that aim to move the crowd. Habiboo, an Italo‑Tunisian DJ and producer born in Geneva, fuses SWANA sounds, baile funk and sunny alternative rhythms with an inclusive approach. Les Novas, a Geneva trio of DJs, navigate Afrobeats, Amapiano, hip hop, R&B and dancehall. K Chulas, a DJ duo, mixes reggaeton, dembow, Latin club, baile, jersey and hip‑hop, creating a night of layered tropical and urban club textures.
UNDERCOVER is a tight trio of singer-guitarist, bassist and drummer, delivering a high-energy set of cross-generational covers. Their repertoire blends reggae, funk, pop, rock and chanson française, moving from Bob Marley and Marvin Gaye to AC/DC, The Beatles and MC Solaar. The performance alternates driving grooves and soulful breaks, inviting spontaneous interplay and a communal blues jam afterward. The evening emphasizes raw musicianship and the joy of live exchange.
Two bands take the stage: The Band, channeling raw 1960s–70s rock, and Latin Lovers, offering swing and Latin-infused repertoire. The programme alternates driving electric grooves and warm, danceable rhythms, with musicians trading solos and close harmonies. The sound design favors immediacy and intimacy, letting textures and dynamics shape the evening. It creates a convivial, nocturnal atmosphere where nostalgia meets rhythmic exuberance and live interplay becomes the event’s emotional core.
Based on sketches by Devos, Ribes, Sylvie Joly, Palmade and Martinez, this theatrical revue sketches the comic microcosm of apartment life. Short scenes expose domestic tensions — marital rows, overwhelmed parents, an unpredictable grandmother and holiday disasters — with sharp observational wit and precise farcical timing. The ensemble slips into vivid characters, combining spoken comedy and physical nuance to reveal tenderness beneath the chaos, offering a warm, incisive portrait of neighbours and family.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Choreographed and performed by Andalusian artist María del Mar Suárez, known as La Chachi, this hybrid flamenco piece blends reverence and deconstruction of tradition with a punk expressivity. Two musicians and a singer form a driving, looping soundscape that slowly reveals La Chachi’s silhouette as she advances, her movements coiling and breaking like the music’s escalating cycles. Visceral and hypnotic, the work explores the effort to overcome the seemingly insurmountable, building tense intimacy and ritualized ascent.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
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