Directed by Lou Ciszewski, Amours enfouies follows three performers — Françoise Paca Gautier, Liv Van Thuyne and Pascale Vachoux — as they excavate the memory of a vanished summer cabaret. Blending ritual, live music (Léon Boesch, Romane Chantre, Alexis Gfeller) and emotional archaeology, Anna Popek’s set and Luc Gendroz’s lighting bring back ghosts and overlooked fragments. A sensitive, poetic piece about the traces of the past and the emergence of an unexpected new bond.
In French.
Directed by Elidan Arzoni, this fiery, hilarious staging of Yasmina Reza’s play follows two couples whose polite attempt to resolve a quarrel between their sons collapses into a savage verbal carnage. Performers Sophie Broustal, Vincent Jacquet, Camille Édith Bouzaglo and Frédéric Landenberg unleash sharp, tightly wound exchanges, while Benoît Delaunay’s scenography and Hervé Broillet’s costumes frame escalating social fractures. Danielle Milovic’s lighting and meticulous stagecraft intensify a darkly comic exploration of civility, hypocrisy and unleashed instincts.
In French.
Rounhaa offers a compelling live set that blends contemporary pop sensibilities with rich electronic textures. Her intimate, expressive vocals and precise arrangements create moments of quiet intensity and soaring climaxes. Backed by a tight band, the performance balances fragile lyricism and rhythmic drive, with luminous production and immersive lighting that shape the emotional arc. Presented by Soldout Productions and TCO Prod as part of the Sublime Tour, the concert explores intimacy, longing and modern soundcraft.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.
Audrey Baldassare presents a sharp, intimate stand-up set that blends observational humour, personal anecdotes and keen social insight. On stage she navigates everyday absurdities with playful timing and precise delivery, moving between laugh-out-loud moments and quieter, reflective beats. The show balances warmth and edge, inviting the audience to reconsider small truths through a fresh comic perspective. Minimal staging and close interaction keep the focus on voice, rhythm and storytelling.
In French.
Directed by Rebecca Stella and adapted with Danielle Barthélemy, Cendrillon blends classic fairy-tale drama with manga-inspired staging. Pili Loop’s original score, Mathieu Courtaillier’s lighting and the set by Camille Ansquer shape a vivid, contemporary universe. Costumes by Alice Toutev and Sonia Bosc and choreography by Léon add playful movement and character. Anthony Surleraux’s video projections and graphics expand the tale’s visual world, pairing tradition with modern theatrical textures.
In French.
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