24 – 28 June

l’AMR aux Cropettes

Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.

Rue Élisabeth-BAULACRE,
Photo Credit: AMR
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Photo Credit: AMR

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Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

In French.

18 – 28 June

Frank Zappa’s opera “200 Motels” is showing in Switzerland for the first time. This dynamic musical-theatrical piece is brought to life by director Daniel Kramer and conductor Titus Engel, featuring an impressive and diverse cast, including Robin Adams, Brenda Rae, and legendary guitarist Mike Keneally. Known for his iconic rock career, Zappa presents an experimental and psychedelic work that blends opera, rock, and contemporary classical music. “200 Motels” offers a chaotic and extravagant journey across the United States, mirroring the wild lives of Zappa and the Mothers of Invention.

In English with French subtitles.

Tuesday 23 June, 18:30

Follow Zuza, a bold little girl whose everyday moments swell into grand adventures: she eats while flying, grows larger than the planet when angry, and finds a loyal crocodile companion. The itinerant show mixes short tales and a parade using giant, human-size and miniature puppets, low-tech screen effects and masked dance. Playful and richly imagined, it invites families to move with the story and share moments of wonder and emotion.

In French.

23 June – 4 July

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

23 – 28 June

Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.

In French.

10 – 26 June

Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.

In French.

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